It is very well done, Niklas. I am impressed at your accuracy, tone, and overall sound. Honestly, for that tune, I couldn't have done much better myself. It is a relatively simple little tune -- which is a GOOD THING -- but not particularly demanding.
My recommendations:
For that style tune, listen to Lloyd Green. He's the master of unison/split notes, stuff to give a bit more excitement without sounding too busy. Think a bit more about chromatic tension -- use more half-steps in your solo composition. Stuff like that can take you to another level. JayDee Maness is another excellent player to study for that style (and others).
There are many other styles. What do you play when the tempo is double that? Are there patterns and (I hate the word but it's the best one I have) LICKS that you can play at 180-200 bpm -- e.g., bluegrass tempo. Listen to some of the really cool stuff Bruce Bouton did with Ricky Skaggs -- e.g., Country Boy, Hwy 40 Blues. Also, start thinking about how to get from the NP position to the A+B position (or vice versa) by connecting notes in between (often called 'speedpicking').
I have no idea what your musical aspirations are, but there is a wide variety of music that can be played on pedal steel. Do you like Western Swing? Do you play C6? You may be ready to look into some of these other tunings or styles. Rock and jazz are also great fun on the pedal steel.
Congratulations on a job well done. You have an excellent foundation to build upon.
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Larry Bell - email:
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2003 Fessenden S/D-12 8x8, 2000 Fessenden S-12 8x8, 1969 Emmons S-12 6x6, 1971 Dobro, Standel and Peavey Amps<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Larry Bell on 31 March 2003 at 09:07 AM.]</p></FONT>