Session pay for steel players
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Ray Montee (RIP)
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Session pay for steel players
Just recorded 9 tunes in the studio today. Haven't done this for a number of years. What is the going rate (average)? I'm curious what the big names as well as the average working musician might expect to earn. Do they ever provide the band members with CD's from the session? WHAT if they don't pay you....can they legally produce and distribute and sell the CD of their vocals with the music of sidemen included thereon?
Would truly appreciate some factual comments. Many thanks.......
Would truly appreciate some factual comments. Many thanks.......
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Larry Bell
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I'm not sure there is a definitive answer, Ray, but I'll try to give my slant (FWIW).
Most sessions I play are in small studios that are trying to make a living. Most aspiring artists/songwriters are not rolling in dough. I ask for $50 / hr with a two hr minimum, but I will sometimes cut someone a deal if I think it's appropriate. The way I rationalize it is to determine how much my spare time is worth to me and add expenses. With gas and wear & tear on equipment and an expectation of $30 or so an hour for my spare time, $50 seems reasonable. I'm doing some work these days just using my POD and going direct. I bring in my guitar and pak-a-seat and that's IT. I may be able to work more cheaply under those circumstances -- it's all very subjective.
To get me set up in the studio I ask a minimum of 2 hours pay ($100). So the client gets 2 hours -- usually about two songs. If you only have one song, it's still $100. If we squeeze in 3 or more songs, it's still $100. If we go over 2 hrs, it's $50 / hr thereafter for any portion of an hour.
I may cut a deal if
1. I feel sorry for his/her financial situation and I really like the music
2. I'm really hard up for work
3. The artist has other work to offer me
I don't rely on this as my living and feel it's appropriate pay and practices for the midwest (this ain't Nashville) and the folks I work for seem to agree. With the available work around here, I could never make a living doing studio work.
Re: royalties, musicians who play on someone's recording have NO rights I'm aware of. Whether they pay you or not, whether they sell tapes or CDs, they don't owe you any more than whatever amount they paid to have you lug your steel to the studio. If the artist is recording copyrighted material, he/she must pay a 'mechanical' fee to the copyright owner, usually through a company like the Harry Fox Agency.
That's how I see it, at any rate.
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<small>Larry Bell - email: larry@larrybell.org - gigs - Home Page
2000 Fessenden S-12 8x8, 1969 Emmons S-12 6x6, 1971 Dobro<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Larry Bell on 16 October 2002 at 06:48 AM.]</p></FONT>
Most sessions I play are in small studios that are trying to make a living. Most aspiring artists/songwriters are not rolling in dough. I ask for $50 / hr with a two hr minimum, but I will sometimes cut someone a deal if I think it's appropriate. The way I rationalize it is to determine how much my spare time is worth to me and add expenses. With gas and wear & tear on equipment and an expectation of $30 or so an hour for my spare time, $50 seems reasonable. I'm doing some work these days just using my POD and going direct. I bring in my guitar and pak-a-seat and that's IT. I may be able to work more cheaply under those circumstances -- it's all very subjective.
To get me set up in the studio I ask a minimum of 2 hours pay ($100). So the client gets 2 hours -- usually about two songs. If you only have one song, it's still $100. If we squeeze in 3 or more songs, it's still $100. If we go over 2 hrs, it's $50 / hr thereafter for any portion of an hour.
I may cut a deal if
1. I feel sorry for his/her financial situation and I really like the music
2. I'm really hard up for work
3. The artist has other work to offer me
I don't rely on this as my living and feel it's appropriate pay and practices for the midwest (this ain't Nashville) and the folks I work for seem to agree. With the available work around here, I could never make a living doing studio work.
Re: royalties, musicians who play on someone's recording have NO rights I'm aware of. Whether they pay you or not, whether they sell tapes or CDs, they don't owe you any more than whatever amount they paid to have you lug your steel to the studio. If the artist is recording copyrighted material, he/she must pay a 'mechanical' fee to the copyright owner, usually through a company like the Harry Fox Agency.
That's how I see it, at any rate.
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<small>Larry Bell - email: larry@larrybell.org - gigs - Home Page
2000 Fessenden S-12 8x8, 1969 Emmons S-12 6x6, 1971 Dobro<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Larry Bell on 16 October 2002 at 06:48 AM.]</p></FONT>
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Jody Carver
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John Lacey
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Jody Carver
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I get paid by the pound. My guitar weighs about 45 lbs,,my amp about 130 lbs..I do better than scale. I get $20.00 per lb...Im doing a date in two weeks,,,I'll bring the
heaviest amp I have. With that Bigsby Quad
you have,,,you should be a rich man.<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Jody Carver on 16 October 2002 at 08:48 AM.]</p></FONT>
heaviest amp I have. With that Bigsby Quad
you have,,,you should be a rich man.<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Jody Carver on 16 October 2002 at 08:48 AM.]</p></FONT>
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Jim Cohen
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We had a good discussion on this awhile back. Here's a link to the thread.
http://steelguitarforum.com/Forum15/HTML/000337.html
http://steelguitarforum.com/Forum15/HTML/000337.html
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Gene Jones
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Jody...I hear you! When I play anymore I judge my "asking price" by the difficulty and work envolved in setting up my "stuff"!
For carrying my "stuff" in is basically what I base my fee for....the remainder is based on whether it will be a fun job or a travail!
Thank God for not needing the money for doing this anymore!
WWW.genejones.com
....
For carrying my "stuff" in is basically what I base my fee for....the remainder is based on whether it will be a fun job or a travail!
Thank God for not needing the money for doing this anymore!
WWW.genejones.com
....
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Ray Montee (RIP)
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Reggie Duncan
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Michael Holland
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I was wondering if someone was going to say the 'U' word! No, scale in Nashville is about $350 for a three hour master session and half that for a demo session. There's a maximum track time that can be cut in that session, too (it's like three songs or 15 minutes).<SMALL>Are these UNION rates?</SMALL>
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Fessenden SD10 - Mesa/Boogie amps
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Carl West
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