WEBB 614-E w/ a BW speaker?
Moderator: Dave Mudgett
-
Tim Harr
- Posts: 2569
- Joined: 4 Aug 1998 11:00 pm
- Location: Dunlap, Illinois
- State/Province: Illinois
- Country: United States
WEBB 614-E w/ a BW speaker?
Anyone ever try this combination?
Feedback please?
Thanks!
Tim
Feedback please?
Thanks!
Tim
-
Dyke Corson
- Posts: 1047
- Joined: 4 Aug 1998 11:00 pm
- Location: Fairmount, IL USA
- State/Province: -
- Country: United States
-
Steve Spitz
- Posts: 2156
- Joined: 11 Jul 2001 12:01 am
- Location: New Orleans, LA, USA
- State/Province: -
- Country: United States
-
Herb Steiner
- Posts: 12636
- Joined: 4 Aug 1998 11:00 pm
- Location: Briarcliff TX 78669, pop. 2,064
- State/Province: -
- Country: United States
I have a BW-1501 in my 614-GP, which is A-OK!
------------------
Herb's Steel Guitar Pages
Texas Steel Guitar Association
------------------
Herb's Steel Guitar Pages
Texas Steel Guitar Association
-
Chick Donner
- Posts: 707
- Joined: 4 Aug 1998 11:00 pm
- Location: North Ridgeville, OH USA
- State/Province: -
- Country: United States
-
Ray DeVoe
- Posts: 1005
- Joined: 4 Feb 2005 1:01 am
- Location: Hudson, FL
- State/Province: -
- Country: United States
Hi Tim.
I have done a lot of experimenting with Webbs and speakers and here is what I ended up with.
I own 3 Webb combinations and I tried all of the following speakers.
E 130,
K 130,
D 130 F,
Fender / Eminence D 130 clone
1501-4 DT BW.
Eminence Delta Lite
Eminence Gamma series.
I have a Webb 614 E head with 2 Webb cabinets. I mounted an 8 ohm D 130 F and an 8 ohm K 130 in these.
This setup has a very warm, clean and bright JBL sound.
I have a Webb 614 E amp with a Fender / Eminence 4 ohm D130 clone mounted in it. This speaker has a deep bottom end which has to be equalized out and highs added. It sounds great after that. That speaker weighs in at 22 lbs by itself.
The other Webb 614 E has a Black Widow 1501-4 DT mounted in it. This combination sounds great also. The Black Widow is about the cheapest way to get a good sound at 4 ohms.
I can take any of these combinations out and they do a fine job of producing quality sound. You cant go wrong with a good Black Widow.


Good luck with your choice.
Ray DeVoe
I have done a lot of experimenting with Webbs and speakers and here is what I ended up with.
I own 3 Webb combinations and I tried all of the following speakers.
E 130,
K 130,
D 130 F,
Fender / Eminence D 130 clone
1501-4 DT BW.
Eminence Delta Lite
Eminence Gamma series.
I have a Webb 614 E head with 2 Webb cabinets. I mounted an 8 ohm D 130 F and an 8 ohm K 130 in these.
This setup has a very warm, clean and bright JBL sound.
I have a Webb 614 E amp with a Fender / Eminence 4 ohm D130 clone mounted in it. This speaker has a deep bottom end which has to be equalized out and highs added. It sounds great after that. That speaker weighs in at 22 lbs by itself.
The other Webb 614 E has a Black Widow 1501-4 DT mounted in it. This combination sounds great also. The Black Widow is about the cheapest way to get a good sound at 4 ohms.
I can take any of these combinations out and they do a fine job of producing quality sound. You cant go wrong with a good Black Widow.


Good luck with your choice.
Ray DeVoe
-
Marty Nemanick
- Posts: 769
- Joined: 24 Oct 2002 12:01 am
- Location: Madera, California, USA
- State/Province: California
- Country: United States
I installed a 1502-4 in my 614-E just this last weekend. I removed the original K-130 to try the BW and I was amazed at the warm tone and the presence of this speaker! I'm leaving it in there. The 1502 was the original speaker in a Vegas 400. Are the vintage BW's a more desireable speaker than the new ones? Just curious.
Best Regards,
Marty
Best Regards,
Marty
-
Andrew Buhler
- Posts: 328
- Joined: 3 Sep 2003 12:01 am
- Location: Maryland, USA
- State/Province: Maryland
- Country: United States
I don't have a Webb, but I have used both older Spider Web BWs and the newer 1501s. I just put a new 1501 in a cab that I use with a Dual Showman Reverb and Session 400. Perhaps my older Spider Web BW was tired, because the new 1501 was a big improvement--much tighter, focused sound; so deep and rich with the Dual Showman powering it. Can't go wrong with a BW.
-
Loren Morehouse
- Posts: 445
- Joined: 8 Apr 2000 12:01 am
- Location: Meadowlands, MN USA
- State/Province: -
- Country: United States
-
Nick Reed
- Posts: 4774
- Joined: 4 Aug 1998 11:00 pm
- Location: Russellville, KY USA
- State/Province: -
- Country: United States
-
Ray DeVoe
- Posts: 1005
- Joined: 4 Feb 2005 1:01 am
- Location: Hudson, FL
- State/Province: -
- Country: United States
Hi Nick.
The Emmons pictured is a 1967. It was owned by a friend of mine who at one time was in the music store business and also refurbished Emmons push pulls. You may know him. His name is Charlie McVay from the Pittsburg, PA area. He had around 6 old push pulls left last time I talked to him. Charlie is the house player at the Wheeling, W.V. "Opry" that still does the AM broadcast.
The guitar was rebuilt from the body out and is as close to new as one will get. I took the guitar up to Bobby Seymore's store just to show him a while back and he sat down and played it for a while. He agreed that it is as fine of a setup job as money can buy. I had to wipe the "drool" off of it before I put it away.
I have a second guitar which is a 69 Emmons which also has the long knee levers and all of the parts and fretboards are still original, but I had Charlie Ward build it into a new body. The original body was warped. As you probably know, Charlie Ward worked for Emmons at their NC facility and put together many of the old push pulls that are in service yet today. He has long since retired but does work out of his home. This is the one I take out to play as the 67 is too much of a "show stopper" to take out in these smoke filled clubs.
Thanks for noticing a "fine" guitar. I met you once up at Bobby's but I doubt if you remember me.
Ray
The Emmons pictured is a 1967. It was owned by a friend of mine who at one time was in the music store business and also refurbished Emmons push pulls. You may know him. His name is Charlie McVay from the Pittsburg, PA area. He had around 6 old push pulls left last time I talked to him. Charlie is the house player at the Wheeling, W.V. "Opry" that still does the AM broadcast.
The guitar was rebuilt from the body out and is as close to new as one will get. I took the guitar up to Bobby Seymore's store just to show him a while back and he sat down and played it for a while. He agreed that it is as fine of a setup job as money can buy. I had to wipe the "drool" off of it before I put it away.

I have a second guitar which is a 69 Emmons which also has the long knee levers and all of the parts and fretboards are still original, but I had Charlie Ward build it into a new body. The original body was warped. As you probably know, Charlie Ward worked for Emmons at their NC facility and put together many of the old push pulls that are in service yet today. He has long since retired but does work out of his home. This is the one I take out to play as the 67 is too much of a "show stopper" to take out in these smoke filled clubs.
Thanks for noticing a "fine" guitar. I met you once up at Bobby's but I doubt if you remember me.
Ray
-
Ivan Posa
- Posts: 560
- Joined: 25 Nov 2002 1:01 am
- Location: Hamilton, New Zealand
- State/Province: -
- Country: United States