All posts were moved from b0b.com to steelguitarforum.com. Using the Search link at the top of the page, I did a search for "Leslie simulator" and found several posts. This is probably the one you're looking for: http://steelguitarforum.com/Forum11/HTML/000550.html
The MXR "Phase 100", for just over $100, does a pretty good job. Short of having a stereo amp system with a chorus, or an actual rotating unit, you're not going to get the "authentic" Leslie sound (IMHO).
Been there-done that. Chorus boxes and phasers are never gonna come close.A Hughes & Kettner Tube Rotosphere($450)is what you want.Sounds just like a Leslie-especially if you put the stereo outputs thru 2 amps about 5 feet apart. -MJ-
Tho' I've never tried a steel thru one, I'll bet a Dynacord CLS-222 (1 rack space) would
sound pretty close. They sound pretty genuine with a Hammond! I've seen them on the BAY for around $200-300.
FWIW
one word: ROTOSPHERE
Great in mono . . . awesome in stereo
Includes a tube preamp that you can adjust to add a little grit. Expensive, but the best simulator I've heard.
The real Hammond afficianados will insist on a real Leslie (or TWO), but I have talked to some who swear by the Rotosphere, especially when one considers the portability of a little box vs one or more VERY BIG BOXES.
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<small>Larry Bell - email: larry@larrybell.org - gigs - Home Page
2003 Fessenden S/D-12 8x8, 1969 Emmons S-12 6x6, 1971 Dobro, Standel and Peavey Amps
Larry,
I'm with you. I use one and also have a two button remote that works real good with it.
I position the remote just to the left of my 1st foot pedal. One button turns it on and off and the other button changes the effect from high to low speed.
Erv
Do you want it to sound like you're running your guitar through a Leslie?
Or do you want your guitar to sound like an organ (B3) through a Leslie?
There is a difference, but both are achievable (or close).
In terms of getting a B3/Leslie sound, the Rotosphere is hard to beat.
But I really, really prefer the sound of the Motionsound rotary speaker. THe main reasons I like this sound is that 1) it has spead controls for both the slow and fast rotations. I like backing the slow rotation way, way down, so it's like a fat, very subtle chorus. And 2) because it sounds more like a steel, rather than emulating the B3 sound.
Having owned 145. 147, 122, 675, and Fender Leslies there is no doubt that they rule! BUT- I have no interest in lugging them, fixing them, replacing blown drivers, tubes ($$$). I have tried most every rotation simulater, phasers, choruses, flangers and combinations of these. The ROTOSPHERE is the best at this simulation. I bought it used from a forumite. THey show up on Ebay. YOu can pick up a two switch remote footswitch (a new import Fender Trem/Rev is fine). This is small enough to place between vol-ped and 8th pedal, to use live for on/off and fast/slow. It has a tube and is just about as noisy as the real deal. Drive is optional. I agree with Larry- the H+K is it!
I have an H & K and am very pleased with the sound. I use a two button remote placed just to the left of my 1st pedal. I found an old Peavey two button that worked just fine. One button is to turn the effect on and off and the other button changes the speed from hi to lo.
Erv
A long time ago, I had a B3 and a 122Rv. I bolted a microswitch to the side of the swell pedal, and switched the leslie speed just by shifting my right foot against the switch. I think that would work pretty good for a steel too, no need to take your foot off the vol pedal to change speeds.
I had to adjust the tone of my amp to get a good organ sound, but that tone didn't work for country when the unit was OFF.
It has 3 outputs, and my power amp only has two channels. I think that to get the most out of the unit, you need to have a stereo amp for the rotating horn and a separate bass amp for the woofer.
Both of these problems are resolved with the Rotosphere. It outputs in simple stereo, and emulates the Leslie cabinet tonal characteristics as well as the rotary effect. Sometimes I switch it on with the rotor stopped, just to get the sound of the cabinet emulation and the mild crunch of the 12AX7 tube.
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<font size="1"><img align=right src="http://b0b.com/Hotb0b.gif" width="96 height="96">Bobby Lee - email: quasar@b0b.com - gigs - CDs, Open Hearts
Sierra Session 12 (E9), Williams 400X (Emaj9, D6), Sierra Olympic 12 (C6add9),
Sierra Laptop 8 (E6add9), Fender Stringmaster (E13, A6),
Roland Handsonic, Line 6 Variax</font>
Good question, George. I made a two button hand activated switch for the Rotosphere. It required two pushbutton on/off switches (as opposed to momentary contact) and a stereo 1/4 plug. Works like a charm. I have no idea how the Peavey pedal is made.
George,
I'm sure that two button pedal would work just fine. I got mine with a used Peavey rack mounted pre-amp. It has the LED bulbs in it so I can tell at a glance if it is on or off and if it is low or hi speed. I operate it with my left foot. The only time I have a problem is when I want to turn it on or off and I have A & B mashed down. I have to hold off until I have an open position.
Erv