Amplification for Multi Instrumentalist ?
Moderator: Dave Mudgett
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Mel Mandville
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Amplification for Multi Instrumentalist ?
Howdy forumites,
I'm wondering if anyone has any suggestions
for a onstage monitoring system.
I play mando, fiddle, acoustic guitar and Beard reso with feather pick up. So far not much luck with the Dobro. We play on the LOUD side.
I have an Fender acousticsonic right now which is a nice amp, but not enough inputs or volume.
I'm thinking of buying a Mackie powered wedge
and a small mixer and an effects unit . that way I could dial in my eq etc and not depend on the stage monitors and just run a DI.to the house.
Also I'm thinking a wedge pointing up might help with the feed back on the Dobro. I play my steel through a Nash 1000. Suggestions....
Man.......Life was easier when I was a bass player!
I'm wondering if anyone has any suggestions
for a onstage monitoring system.
I play mando, fiddle, acoustic guitar and Beard reso with feather pick up. So far not much luck with the Dobro. We play on the LOUD side.
I have an Fender acousticsonic right now which is a nice amp, but not enough inputs or volume.
I'm thinking of buying a Mackie powered wedge
and a small mixer and an effects unit . that way I could dial in my eq etc and not depend on the stage monitors and just run a DI.to the house.
Also I'm thinking a wedge pointing up might help with the feed back on the Dobro. I play my steel through a Nash 1000. Suggestions....
Man.......Life was easier when I was a bass player!
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Joe E
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Kevin Hatton
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The Fender Acoustitronics sucks big time. Get
your self a Peavey Ecoustic 112. Its dual channel with equalization on both. Also has a feedback eliminator on the left channel. You will be pleasantly surprised. I also play all the instruments you mentioned above as well as steel.<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Kevin Hatton on 06 February 2004 at 01:12 PM.]</p></FONT>
your self a Peavey Ecoustic 112. Its dual channel with equalization on both. Also has a feedback eliminator on the left channel. You will be pleasantly surprised. I also play all the instruments you mentioned above as well as steel.<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Kevin Hatton on 06 February 2004 at 01:12 PM.]</p></FONT>
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Niklas Widen
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Mel Mandville
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Thanks for the ideas guys.
I went over to Guitar center at lunch....dangerous..
I found a JBL Eon 10GZ powered wedge with a 10 inch woofer . I think it's about 300 watts. Sounds great and Compact.
Also looked at Yamaha MG 12/4 Board. that would give me lots of sends . It has nice EQ, phantom power, etc. I could also ad another wedge and have a nice little PA.
I've got the Acoustisonic sold.. I've heard Crate amps are great.
I went over to Guitar center at lunch....dangerous..
I found a JBL Eon 10GZ powered wedge with a 10 inch woofer . I think it's about 300 watts. Sounds great and Compact.
Also looked at Yamaha MG 12/4 Board. that would give me lots of sends . It has nice EQ, phantom power, etc. I could also ad another wedge and have a nice little PA.
I've got the Acoustisonic sold.. I've heard Crate amps are great.
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David L. Donald
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It amazes me no company makes a pro amp with
4 inputs with volume and 3 band eq
and limiter and reverb on each guitar jack input
200w, 2 way speakers, master volume, XLR out to the PA and nicely portable
for acoustic multi-instrumentalists.
The closest you come is these cheezy PA cubes for singer guitarists. Or an external mixer and a pile more wires and wall warts.
The difference is no more than some design time, off the shelf parts for 3 more preamps.
Standard chip sets on a small board with all the controls wired to an existing power amp speaker combo.
This seems like a no brainer.
Hello Mike at Peavey !!
4 inputs with volume and 3 band eq
and limiter and reverb on each guitar jack input
200w, 2 way speakers, master volume, XLR out to the PA and nicely portable
for acoustic multi-instrumentalists.
The closest you come is these cheezy PA cubes for singer guitarists. Or an external mixer and a pile more wires and wall warts.
The difference is no more than some design time, off the shelf parts for 3 more preamps.
Standard chip sets on a small board with all the controls wired to an existing power amp speaker combo.
This seems like a no brainer.
Hello Mike at Peavey !!
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Brad Sarno
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You may want to consider a Baggs or Sansamp acoustic preamp for the Dobro. I think that feather pickup needs a hi-z preamp and a Dobro usually needs some healthy doses of eq to get loud without feedback. Then from there, the little mixer idea seems like a good solution for your rig. Each instrument individually tweaked. Those powered Mackie's sound good too.
Brad Sarno
Brad Sarno
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Dana Duplan
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I've struggled with this too. There is such an amplifier--the AER Domino--nice photos of details on the Elderly site. It's high quality and pricey though. A nice PA would be more versatile for similar money, a plus for vocals, but you loose the portability. It also erks me that the smaller more compact PA's lack features such as 3 band eq's. If I only cared about amplifying my instruments and no vocals, I might opt for the Domino though.
D
D
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Mike Brown
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I recommend that you try out either a Peavey KB-5 keyboard amp which has 4 input channels, or the Ecoustic 112EFX amplifiers. Here's a link to the KB-5 from our website at www.peavey.com Even before we began designing and manufacturing our Ecoustic series of electric/acoustic amplifiers, musicians were using the KB series to amplify their electric acoustic guitars, so the Ecoustic Series was introduced. I think that the KB-5 would be the answer for you. Here's a link to it from the Peavey website;
http:
//www.peavey.com/products/shop_online/bro ... e/2/kb.cfm
If you have questions about any of our gear, please call me toll free Monday through Friday at 1-877-732-8391 after 8am and before 5pm and I'll be glad to answer any questions that you may have.
Mike Brown
Peavey Electronics Corporation
http:
//www.peavey.com/products/shop_online/bro ... e/2/kb.cfm
If you have questions about any of our gear, please call me toll free Monday through Friday at 1-877-732-8391 after 8am and before 5pm and I'll be glad to answer any questions that you may have.
Mike Brown
Peavey Electronics Corporation
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Kevin Hatton
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Mel Mandville
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Thanks for the advice all.
My drummer suggested a keyboard rig also. ( I know , a drummer with a suggestion......) They have full range speakers which would be nice, but I need some thing with al least 3 or 4 inputs.
The Peavey looks like a good rig.
I love my Nash 1000.
The Acoustisonic is a good amp if your doing the Singer songwriter gig.
I would recomend it. Except I can't believe they didn't put a direct out on it, which is lame, lame, lame. I'm still leaning towards the Mixer /powered wedge idea.
The road case for the board has a couple of spaces left that I could ad some more EQ and or Effects unit . I think I'm going to need it to EQ the crap out my dobro.
It seems more flexable although it's going to be more $$$$$
I guess I'm most concerned about the Dobro..from what I've read they're one of the hardest to get right. I'm going to look at Rob Ickes site .. I guess he has a list of his gear .
I also have a Baggs DI to use in the equation...
Maybe I should just take my fiddle and join a bluegrass out fit..
My drummer suggested a keyboard rig also. ( I know , a drummer with a suggestion......) They have full range speakers which would be nice, but I need some thing with al least 3 or 4 inputs.
The Peavey looks like a good rig.
I love my Nash 1000.
The Acoustisonic is a good amp if your doing the Singer songwriter gig.
I would recomend it. Except I can't believe they didn't put a direct out on it, which is lame, lame, lame. I'm still leaning towards the Mixer /powered wedge idea.
The road case for the board has a couple of spaces left that I could ad some more EQ and or Effects unit . I think I'm going to need it to EQ the crap out my dobro.
It seems more flexable although it's going to be more $$$$$
I guess I'm most concerned about the Dobro..from what I've read they're one of the hardest to get right. I'm going to look at Rob Ickes site .. I guess he has a list of his gear .
I also have a Baggs DI to use in the equation...
Maybe I should just take my fiddle and join a bluegrass out fit..
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Chris Walke
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I was using the SansAmp acoustic DI with my dobro (McIntyre Feather). The SansAmp was noisy! I don't use it anymore. Luckily, it turns out that my most common dobro use is in church, and there's no trouble with using a mic.
I've been wondering about possible results of using the DobroLace pickup thru a SuperBro. Funny, using the SuperBro to make my dobro sound like a dobro. Anyone tried that yet?
I've been wondering about possible results of using the DobroLace pickup thru a SuperBro. Funny, using the SuperBro to make my dobro sound like a dobro. Anyone tried that yet?
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Michael Holland
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Does anybody remember the Peavey Rhythm Master? I think that was the name of it. I had one in the '80's and sold it to Carco. Same size as a big box Session (15" BW) and had four independent channels with concentric volume and tone controls and independent reverb send for each of the four channels.
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Michael Brebes
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David L. Donald
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Mike B. This is a good unit you have there.
Almost what is needed for this threads concept, but not quite.
A few additions, as noted above, and you might corner a unplumbed market :
a decent global digital reverb (but keep the channel taps)
At least 1 swept mid freq, but a swept bottom also would go a long way.
Multiple instruments typically need very different eqs.
Imagine : guitar, mandolin, dobro, fiddle, lapsteel, and electric guitar with an effects loop. All Eq'ed at recordable quality,but useable live in one unit.
A tweeter would be very good, and stereo XLR DI out
A simple compressor limiter circuit AFTER the EQ.
See what you could do with this basic box and a $1,500 price point.
You guys are very innovative and you listen to players.
PS I love the handle too.
Almost what is needed for this threads concept, but not quite.
A few additions, as noted above, and you might corner a unplumbed market :
a decent global digital reverb (but keep the channel taps)
At least 1 swept mid freq, but a swept bottom also would go a long way.
Multiple instruments typically need very different eqs.
Imagine : guitar, mandolin, dobro, fiddle, lapsteel, and electric guitar with an effects loop. All Eq'ed at recordable quality,but useable live in one unit.
A tweeter would be very good, and stereo XLR DI out
A simple compressor limiter circuit AFTER the EQ.
See what you could do with this basic box and a $1,500 price point.
You guys are very innovative and you listen to players.
PS I love the handle too.
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Mike Brown
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David L. Donald
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Mel Mandville
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but they're not too powerful, the loudest one is 2x50W I think...