Amplification for Multi Instrumentalist ?

Amplifiers, effects, pickups, electronic components, wiring, etc.

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Mel Mandville
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Amplification for Multi Instrumentalist ?

Post by Mel Mandville »

Howdy forumites,

I'm wondering if anyone has any suggestions
for a onstage monitoring system.
I play mando, fiddle, acoustic guitar and Beard reso with feather pick up. So far not much luck with the Dobro. We play on the LOUD side.
I have an Fender acousticsonic right now which is a nice amp, but not enough inputs or volume.
I'm thinking of buying a Mackie powered wedge
and a small mixer and an effects unit . that way I could dial in my eq etc and not depend on the stage monitors and just run a DI.to the house.
Also I'm thinking a wedge pointing up might help with the feed back on the Dobro. I play my steel through a Nash 1000. Suggestions....
Man.......Life was easier when I was a bass player!
Joe E
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Post by Joe E »

You might try a mackie mixer into an amp. That way you could set the amp on one setting and eq each instrument or mic differently. I don't think you would need a ton of headroom as long as you are not plugging the steel into it.

Joe
Kevin Hatton
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Post by Kevin Hatton »

The Fender Acoustitronics sucks big time. Get
your self a Peavey Ecoustic 112. Its dual channel with equalization on both. Also has a feedback eliminator on the left channel. You will be pleasantly surprised. I also play all the instruments you mentioned above as well as steel.<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Kevin Hatton on 06 February 2004 at 01:12 PM.]</p></FONT>
Niklas Widen
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Post by Niklas Widen »

Jerry Douglas uses a Crate amp. I haven't tried one myself, but I'd like to...they seem very nice, and if JD uses one, they ought to be good! Image but they're not too powerful, the loudest one is 2x50W I think...

/Nicke W
Mel Mandville
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Post by Mel Mandville »

Thanks for the ideas guys.

I went over to Guitar center at lunch....dangerous..
I found a JBL Eon 10GZ powered wedge with a 10 inch woofer . I think it's about 300 watts. Sounds great and Compact.
Also looked at Yamaha MG 12/4 Board. that would give me lots of sends . It has nice EQ, phantom power, etc. I could also ad another wedge and have a nice little PA.

I've got the Acoustisonic sold.. I've heard Crate amps are great.
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David L. Donald
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Post by David L. Donald »

It amazes me no company makes a pro amp with

4 inputs with volume and 3 band eq
and limiter and reverb on each guitar jack input
200w, 2 way speakers, master volume, XLR out to the PA and nicely portable
for acoustic multi-instrumentalists.

The closest you come is these cheezy PA cubes for singer guitarists. Or an external mixer and a pile more wires and wall warts.

The difference is no more than some design time, off the shelf parts for 3 more preamps.
Standard chip sets on a small board with all the controls wired to an existing power amp speaker combo.

This seems like a no brainer.
Hello Mike at Peavey !!
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Brad Sarno
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Post by Brad Sarno »

You may want to consider a Baggs or Sansamp acoustic preamp for the Dobro. I think that feather pickup needs a hi-z preamp and a Dobro usually needs some healthy doses of eq to get loud without feedback. Then from there, the little mixer idea seems like a good solution for your rig. Each instrument individually tweaked. Those powered Mackie's sound good too.

Brad Sarno
Dana Duplan
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Post by Dana Duplan »

I've struggled with this too. There is such an amplifier--the AER Domino--nice photos of details on the Elderly site. It's high quality and pricey though. A nice PA would be more versatile for similar money, a plus for vocals, but you loose the portability. It also erks me that the smaller more compact PA's lack features such as 3 band eq's. If I only cared about amplifying my instruments and no vocals, I might opt for the Domino though.
D
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Post by Mike Brown »

I recommend that you try out either a Peavey KB-5 keyboard amp which has 4 input channels, or the Ecoustic 112EFX amplifiers. Here's a link to the KB-5 from our website at www.peavey.com Even before we began designing and manufacturing our Ecoustic series of electric/acoustic amplifiers, musicians were using the KB series to amplify their electric acoustic guitars, so the Ecoustic Series was introduced. I think that the KB-5 would be the answer for you. Here's a link to it from the Peavey website;
http:
//www.peavey.com/products/shop_online/bro ... e/2/kb.cfm

If you have questions about any of our gear, please call me toll free Monday through Friday at 1-877-732-8391 after 8am and before 5pm and I'll be glad to answer any questions that you may have.

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Kevin Hatton
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Post by Kevin Hatton »

Mike, ever think of coming out with an Ecoustic amp with more inputs? I think its a GREAT amp. Also maybe put some digital effects in it. I know that it would cost more.
Mel Mandville
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Post by Mel Mandville »

Thanks for the advice all.

My drummer suggested a keyboard rig also. ( I know , a drummer with a suggestion......) They have full range speakers which would be nice, but I need some thing with al least 3 or 4 inputs.

The Peavey looks like a good rig.
I love my Nash 1000.

The Acoustisonic is a good amp if your doing the Singer songwriter gig.
I would recomend it. Except I can't believe they didn't put a direct out on it, which is lame, lame, lame. I'm still leaning towards the Mixer /powered wedge idea.
The road case for the board has a couple of spaces left that I could ad some more EQ and or Effects unit . I think I'm going to need it to EQ the crap out my dobro.
It seems more flexable although it's going to be more $$$$$

I guess I'm most concerned about the Dobro..from what I've read they're one of the hardest to get right. I'm going to look at Rob Ickes site .. I guess he has a list of his gear .

I also have a Baggs DI to use in the equation...

Maybe I should just take my fiddle and join a bluegrass out fit..


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Post by Chris Walke »

I was using the SansAmp acoustic DI with my dobro (McIntyre Feather). The SansAmp was noisy! I don't use it anymore. Luckily, it turns out that my most common dobro use is in church, and there's no trouble with using a mic.

I've been wondering about possible results of using the DobroLace pickup thru a SuperBro. Funny, using the SuperBro to make my dobro sound like a dobro. Anyone tried that yet?
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Michael Holland
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Post by Michael Holland »

Does anybody remember the Peavey Rhythm Master? I think that was the name of it. I had one in the '80's and sold it to Carco. Same size as a big box Session (15" BW) and had four independent channels with concentric volume and tone controls and independent reverb send for each of the four channels.

------------------
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Michael Brebes
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Post by Michael Brebes »

For dobro (and most of my other acoustic instruments) I plug into my L.R. Baggs Para DI, with a volume pedal in the effects loop, and from there straight into a JBL Eon 10. 150 watts and sounds great. With the feedback adjustments on the Baggs DI you can get things pretty loud.
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David L. Donald
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Post by David L. Donald »

Mike B. This is a good unit you have there.
Almost what is needed for this threads concept, but not quite.

A few additions, as noted above, and you might corner a unplumbed market :

a decent global digital reverb (but keep the channel taps)

At least 1 swept mid freq, but a swept bottom also would go a long way.

Multiple instruments typically need very different eqs.
Imagine : guitar, mandolin, dobro, fiddle, lapsteel, and electric guitar with an effects loop. All Eq'ed at recordable quality,but useable live in one unit.

A tweeter would be very good, and stereo XLR DI out

A simple compressor limiter circuit AFTER the EQ.

See what you could do with this basic box and a $1,500 price point.

You guys are very innovative and you listen to players.
PS I love the handle too.
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Post by Mike Brown »

I'll submit it to the Product Manager for consideration in future designs.
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David L. Donald
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Post by David L. Donald »

Cool !!! good on you.
Mel Mandville
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Post by Mel Mandville »

Hummmm .......
I didn't even think of running the Para Acoustic right into the EON and using the effects loop.

good idea Michael B

thanks,

Mel