Devices that improve sound quality?
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GeneRector
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Devices that improve sound quality?
Howdy! I recently bought an electric six string lap steel with a volume pedal and amp. What other equipment/devices can you add on or use to improve or tweak the "steel" sound of a lap steel? I am using open E tuning. Your views appreciated.
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Always, Gene Rector
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Always, Gene Rector
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Kevin Hatton
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Lefty
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GeneRector
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Brad Sarno
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A Steel Guitar Black Box (SGBB) is a simple vacuum tube pickup-preamp that goes right after the pickup and before the volume pedal, much like a Matchbox but it's all tube. It brings out more clarity and definition as well as that cool tube warmth and sweetness. It's not as brittle or grainy sounding as the typical transistor battery powered matchbox device.
A compressor will smooth out the volume. It can help with sustain and take the bite off of over-picked notes. Some people develop real exact control of dynamics with their hands and volume pedal foot. Some people like to let a compressor help with that smoothing.
Brad Sarno
A compressor will smooth out the volume. It can help with sustain and take the bite off of over-picked notes. Some people develop real exact control of dynamics with their hands and volume pedal foot. Some people like to let a compressor help with that smoothing.
Brad Sarno
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Donny Hinson
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C Dixon
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A Boss DD-3 delay unit set so you do not hear the delay; but just enough so it fattens and sustains the note; so it improves your sound. A Goodrich matchbox (and the DD-3) might make you like it more. However it may make you like it less. See if you can try one first.
The timbre of lap steels was in its heyday prior to hi fidelity. This means what many of us "hear" and listen for is a "lo-fi" sound which means a number of effects units would go against that direction.
This explains why some of us love the sound of the old 8 inch tube amps. Facts are they were NOT capable of reproducing all the sounds the guitar put out. But we didn't know it. So now it is difficult if not impossible for some of us to accept and adapt to amps and/or units that in fact do reproduce all those sounds.
Sound of course is one of THE most subjective things ever known to man. So Good luck and may Jesus bless you in you quests,
carl
The timbre of lap steels was in its heyday prior to hi fidelity. This means what many of us "hear" and listen for is a "lo-fi" sound which means a number of effects units would go against that direction.
This explains why some of us love the sound of the old 8 inch tube amps. Facts are they were NOT capable of reproducing all the sounds the guitar put out. But we didn't know it. So now it is difficult if not impossible for some of us to accept and adapt to amps and/or units that in fact do reproduce all those sounds.
Sound of course is one of THE most subjective things ever known to man. So Good luck and may Jesus bless you in you quests,
carl
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Tim Whitlock
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Ron Randall
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IMHO...Start with great strings, bar, cables.
I rediscover my greatest tone when I put on new strings. I turn off the effects and enjoy the real thing.
I lot of folks(including me) would recommend George L cables to hook up your guitar/vp/amp.
Stainless steel strings sound different from nickel alloy strings. You get to decide which you like.
I rediscover my greatest tone when I put on new strings. I turn off the effects and enjoy the real thing.
I lot of folks(including me) would recommend George L cables to hook up your guitar/vp/amp.
Stainless steel strings sound different from nickel alloy strings. You get to decide which you like.
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Gerald Menke
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Tim Whitlock
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I tend to agree with Rick. There's not a sweeter sound than a lap steel straight into a small all tube amp, like the "low-fi" sound Carl refers to in his post. Refining your tone and touch, picking technique, vibrato, etc, is the most effective way to improve one's sound (cheaper, too). It's in the hands. Sorry, don't mean to sound preachy. Just my $.02.
Gene, whatever devices you feel you want to add depends on the sound you're after. If you can give an example of a particular song or player you like, I'm sure you will get some helpful suggestions. Enjoy your lap steel!<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Tim Whitlock on 06 February 2004 at 06:04 AM.]</p></FONT>
Gene, whatever devices you feel you want to add depends on the sound you're after. If you can give an example of a particular song or player you like, I'm sure you will get some helpful suggestions. Enjoy your lap steel!<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Tim Whitlock on 06 February 2004 at 06:04 AM.]</p></FONT>
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GeneRector
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Howdy! I like a lot of the old time classics by Hank Williams, Ernest Tubb, Ray Price, Mel Tillis, and others. I sure would like to learn to play "Waltz Across Texas" on my lap steel. I like George Strait's music as well. Thanks! All views appreciated on what setup would work well for a lap steel and their music. Thanks!
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Always, Gene Rector
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Always, Gene Rector
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Tim Whitlock
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Gene, you will want to tune your lap steel to C6 to get the beautiful old classic sounds you're after. I don't think you will need any devices beyond what you already have. I would suggest you go to: http://steelguitarmusic.com/strings.html
and order a set of C6 Steel Guitar Forum Strings for Lap Steel Guitar (you have to scroll down almost to the bottom of the page). They have the tuning written right on the package and are designed specifically for it. You will love this tuning and will be playing along with those old Hank Williams records in no time. Best of luck! <FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Tim Whitlock on 06 February 2004 at 08:19 AM.]</p></FONT>
and order a set of C6 Steel Guitar Forum Strings for Lap Steel Guitar (you have to scroll down almost to the bottom of the page). They have the tuning written right on the package and are designed specifically for it. You will love this tuning and will be playing along with those old Hank Williams records in no time. Best of luck! <FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Tim Whitlock on 06 February 2004 at 08:19 AM.]</p></FONT>
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Harold Bullard
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Bobby Lee
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The one thing that will make the most difference in your sound is your right hand. If you can get that right, you'll sound good on any equipment.
A good bar makes a tone difference, too.
A lot of players use digital delay or reverb. It fattens the tone and helps cover mistakes.
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<font size="1"><img align=right src="http://b0b.com/Hotb0b.gif" width="96 height="96">Bobby Lee - email: quasar@b0b.com - gigs - CDs, Open Hearts
Sierra Session 12 (E9), Williams 400X (Emaj9, D6), Sierra Olympic 12 (C6add9),
Sierra Laptop 8 (E6add9), Fender Stringmaster (E13, A6),
Roland Handsonic, Line 6 Variax</font>
A good bar makes a tone difference, too.
A lot of players use digital delay or reverb. It fattens the tone and helps cover mistakes.
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<font size="1"><img align=right src="http://b0b.com/Hotb0b.gif" width="96 height="96">Bobby Lee - email: quasar@b0b.com - gigs - CDs, Open Hearts
Sierra Session 12 (E9), Williams 400X (Emaj9, D6), Sierra Olympic 12 (C6add9),
Sierra Laptop 8 (E6add9), Fender Stringmaster (E13, A6),
Roland Handsonic, Line 6 Variax</font>
