Johnson J-Station
Moderator: Dave Mudgett
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Lefty
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Johnson J-Station
I just bought one of these. This will allow me to practice, and record some without bothering my son studying, or my wife and neighbors. I have only used it with guitar so far with pretty good results. I would like to her from anyone who has used it with steel, and possibly programmed any presets.
Thanks,
Lefty
Sh-Bud LDG
Thanks,
Lefty
Sh-Bud LDG
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Glenn Austin
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Lefty,
I have a line6 pod which sounds alright with steel, but not as good as playing thru a real steel amp.The reverb doesn't sound right for steel either.I use a boss eq pedal to lower the gain from my guitar so as to avoid getting distortion, which is what it was designed for.It does make my vegas 400 sound great for regular guitar playin'. Apparently J-station is better at clean amp tones than pod.My favorite amp models are fender twin and boogie mkIIc. I like it for gigging because I don't have to haul 2 separate amps for guitar and steel.
I have a line6 pod which sounds alright with steel, but not as good as playing thru a real steel amp.The reverb doesn't sound right for steel either.I use a boss eq pedal to lower the gain from my guitar so as to avoid getting distortion, which is what it was designed for.It does make my vegas 400 sound great for regular guitar playin'. Apparently J-station is better at clean amp tones than pod.My favorite amp models are fender twin and boogie mkIIc. I like it for gigging because I don't have to haul 2 separate amps for guitar and steel.
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Jay Ganz
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Martin Abend
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I could still kick my butt for selling my Tech 21 Trademark 60 amp to buy this piece of ... red metal. Grrr!
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martin abend my homepage chicotarde@web.de
s-10 sierra crown gearless 3 x4 - fender hotrod deluxe
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martin abend my homepage chicotarde@web.de
s-10 sierra crown gearless 3 x4 - fender hotrod deluxe
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ajm
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I've tried out all three.
The POD may be slightly better in the amp simulation department than the J Station; it's a really close call. However, the J is TONS better in the quality of the effects. IMHO, the reverb on the POD is a disgrace.
If I were going to buy one today, I would probably buy the DG Stomp. It doesn't appear to give you amp types (Boogie, Twin, Class A, etc.), or at least it doesn't label them as such. But the configurations it gives you are all very good. It actually responds and feels like a real amp. The EQ works. The effects are all there and they sound really good. It also seems much more rugged than the other two. You can use it on a desktop or as a stomp box. It also has a pretty "transparent" sound, meaning you can tell what guitar you're using with it. All of this and I didn't even get into any of the cabinet simulations. The thing I don't know is if it will take a steel guitar pickup on the input without overloading.
I bought a Yamaha REX 50 effects processor years ago and ended up demanding my money back because IMHO it had a design problem that several others in the store also had. I swore that I'd never buy another Yamaha product after the crappy response I got from their technical support people, but the DG Stomp may make me ease up on my position there.
The POD may be slightly better in the amp simulation department than the J Station; it's a really close call. However, the J is TONS better in the quality of the effects. IMHO, the reverb on the POD is a disgrace.
If I were going to buy one today, I would probably buy the DG Stomp. It doesn't appear to give you amp types (Boogie, Twin, Class A, etc.), or at least it doesn't label them as such. But the configurations it gives you are all very good. It actually responds and feels like a real amp. The EQ works. The effects are all there and they sound really good. It also seems much more rugged than the other two. You can use it on a desktop or as a stomp box. It also has a pretty "transparent" sound, meaning you can tell what guitar you're using with it. All of this and I didn't even get into any of the cabinet simulations. The thing I don't know is if it will take a steel guitar pickup on the input without overloading.
I bought a Yamaha REX 50 effects processor years ago and ended up demanding my money back because IMHO it had a design problem that several others in the store also had. I swore that I'd never buy another Yamaha product after the crappy response I got from their technical support people, but the DG Stomp may make me ease up on my position there.
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Lee Baucum
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Martin Abend
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Yeah,
thanks, Lee. I tried the Trademark with the powered extension cab in December. Awesome. Almost beat my Fender HotRod deluxe.
You live, you learn
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martin abend my homepage chicotarde@web.de
s-10 sierra crown gearless 3 x4 - fender hotrod deluxe
thanks, Lee. I tried the Trademark with the powered extension cab in December. Awesome. Almost beat my Fender HotRod deluxe.
You live, you learn

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martin abend my homepage chicotarde@web.de
s-10 sierra crown gearless 3 x4 - fender hotrod deluxe
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Adam
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Lefty
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I guess I should have tried ot all the different manufactuers before buying, but I got a good deal on the J-Station, and had heard positive things about it. I can't make a comparison, though. It has some presets I will never use, but I guess they are all geared toward a wide range of players/music. I have tried editing some of the emulations, and was able to get a pretty good Allmans "Melissa" sound out of the British stack with the gain all the way down and sound good clean Fender.
I only wish they would make a model just for Steel players with amp models of Evans, Sessions, Webb, Fender Vibrosonic with different speaker emulations JBL D-130, Black Widow etc.
Maybe Peavey is working on that one.
Lefty
Sho-Bud LDG
Johnson J-Station
I only wish they would make a model just for Steel players with amp models of Evans, Sessions, Webb, Fender Vibrosonic with different speaker emulations JBL D-130, Black Widow etc.
Maybe Peavey is working on that one.
Lefty
Sho-Bud LDG
Johnson J-Station
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Lefty
- Posts: 1651
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I managed to get some pretty good Steel Guitar sounds with this gizmo today. The Blackface Twin sounded believable, and clean. I got a good solid state sound using the Johnson clean setting with a little delay and reverb, and a little tweeking. Lap steel is also good in the tweed setting, from Santo to Lindley. Nothing beats the sound of a good amp, but this is a nice convienient way to record. I want to try it through a PA, which would be convienient in a small setting. I would still like more clean amp simulations and less metal, but.
Lefty
Sho-Bud LDG
Johnson J-Station
Lefty
Sho-Bud LDG
Johnson J-Station
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Rick Schmidt
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Lefty....I don't own a J-Station myself, but I did have the opportunity to borrow one and use it's computer editing software for a pretty good trial. The software is definitely the key to getting a steel sound! Try using the bass amp models & cabinets, and go from there. At anyrate, I A-B'd it to my live rig, and it far surpassed my Profex 1...then I used it going direct on a session, and impressed the engineer way more than I would've imagined. I think it might have the sound if you have the patience to tweek it enough. I'm saving up for one.<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Rick Schmidt on 05 February 2001 at 01:09 AM.]</p></FONT>
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Lefty
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