EH-100 tone issues and what you did? Did it help?
Moderator: Brad Bechtel
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Mark Evans
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EH-100 tone issues and what you did? Did it help?
Greetings
I have a ‘39 Gibson EH-100 lap steel with Tone issues - overly very bright. Tone knob range remains unchanged until about ‘9.5’ (of ten) then gets rounder (about 1mm of turn)and then volume basically drops. A new cap install didn’t help.
I scanned the forum and found a few similar threads, ideas for resolution… but not much follow up. Have any EH owners done any tweaks (new cap, new pots, etc) and successfully reclaimed a better tone range?
Thanks
Mark E
(And what adventure, fishing out guts thru the pickup cavity hole) pics upon request
I have a ‘39 Gibson EH-100 lap steel with Tone issues - overly very bright. Tone knob range remains unchanged until about ‘9.5’ (of ten) then gets rounder (about 1mm of turn)and then volume basically drops. A new cap install didn’t help.
I scanned the forum and found a few similar threads, ideas for resolution… but not much follow up. Have any EH owners done any tweaks (new cap, new pots, etc) and successfully reclaimed a better tone range?
Thanks
Mark E
(And what adventure, fishing out guts thru the pickup cavity hole) pics upon request
Larry Pogreba Baritone 'Weissenheimer
Late 30’s Oahu model 229
1940’s Oahu Tonemaster
LSLME Chatsworth (Lap Steel Legacy Mark Evans w/Sentell cust. Single coil)
1939 Gibson EH-100
2017 Richard Wilson Weissenborn style
Quilter 202 w/dockblock10
Late 30’s Oahu model 229
1940’s Oahu Tonemaster
LSLME Chatsworth (Lap Steel Legacy Mark Evans w/Sentell cust. Single coil)
1939 Gibson EH-100
2017 Richard Wilson Weissenborn style
Quilter 202 w/dockblock10
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Allan Revich
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Re: EH-100 tone issues and what you did? Did it help?
Why not just use an EQ pedal, or dial back the treble on your amp?
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Mark Evans
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- Location: Colorado, USA
- State/Province: Colorado
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Re: EH-100 tone issues and what you did? Did it help?
Yeah there is that approach (though the couple EQ pedals that I once owned always seemed to add unwanted noise to the chain). I believe I did kill the treble on the amp and upped bass and mid with only modest improvement.Allan Revich wrote: 27 Feb 2026 12:29 pm Why not just use an EQ pedal, or dial back the treble on your amp?
If I was convinced by other EH owners that, well, that’s how these laps sound… it’d be different. Although somewhere someone said they were made to run thru a single knob 40’s tube amp
Larry Pogreba Baritone 'Weissenheimer
Late 30’s Oahu model 229
1940’s Oahu Tonemaster
LSLME Chatsworth (Lap Steel Legacy Mark Evans w/Sentell cust. Single coil)
1939 Gibson EH-100
2017 Richard Wilson Weissenborn style
Quilter 202 w/dockblock10
Late 30’s Oahu model 229
1940’s Oahu Tonemaster
LSLME Chatsworth (Lap Steel Legacy Mark Evans w/Sentell cust. Single coil)
1939 Gibson EH-100
2017 Richard Wilson Weissenborn style
Quilter 202 w/dockblock10
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Allan Revich
- Posts: 1290
- Joined: 2 Nov 2018 7:04 pm
- Location: Victoria
- State/Province: British Columbia
- Country: Canada
Re: EH-100 tone issues and what you did? Did it help?
Here’s an idea that might work. Something I tried once on a guitar that was weak in the treble. I put a heavier gauge high string there to increase the magnetic signal. I wonder if using lighter gauge treble strings will decrease the treble signal and balance the output better?
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Brad Bechtel
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Re: EH-100 tone issues and what you did? Did it help?
Brad’s Page of Steel
A web site devoted to acoustic & electric lap steel guitars
A web site devoted to acoustic & electric lap steel guitars
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Glenn Stanfield
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Re: EH-100 tone issues and what you did? Did it help?
Speaking strictly as a long time electronics tech, not an EH owner.
The tone knob should, as I'm sure you know, for better or worse, change the tone throughout its entire movement.
If a new cap didn't have any affect the next thing I would do is check the potentiometer. If I lacked the equipment to test it I would just replace it, they are not that expensive. Check/replace the volume potentiometer while you're in there too.
The tone knob should, as I'm sure you know, for better or worse, change the tone throughout its entire movement.
If a new cap didn't have any affect the next thing I would do is check the potentiometer. If I lacked the equipment to test it I would just replace it, they are not that expensive. Check/replace the volume potentiometer while you're in there too.
GlennS
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Todd Clinesmith
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Re: EH-100 tone issues and what you did? Did it help?
Mark,
You lost grounding somewhere . I would think your tone pot/ cap is not running to ground . It's possible the pickup is not grounded as well. I would try running a ground from the pickup to the jack if the tone pot is connected to ground.
Todd
You lost grounding somewhere . I would think your tone pot/ cap is not running to ground . It's possible the pickup is not grounded as well. I would try running a ground from the pickup to the jack if the tone pot is connected to ground.
Todd
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J Fletcher
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Re: EH-100 tone issues and what you did? Did it help?
Check that the coil isn't open . An open coil would result in the symptoms you are experiencing.
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David DeLoach
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Re: EH-100 tone issues and what you did? Did it help?
I had an 1940 EH-185 for awhile and just couldn't bond with the tone.
Here is a video I did with it back in 2020 freakout (my intonation has improved a lot since then
) --> https://youtu.be/0SIQcWu0f5A?si=Ni1oKJYzDEURE6fU

Here is a video I did with it back in 2020 freakout (my intonation has improved a lot since then

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Mark Evans
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Re: EH-100 tone issues and what you did? Did it help?
Thanks for all the suggestions. I will explore some of these options.
Mark E
Denver
Mark E
Denver
Larry Pogreba Baritone 'Weissenheimer
Late 30’s Oahu model 229
1940’s Oahu Tonemaster
LSLME Chatsworth (Lap Steel Legacy Mark Evans w/Sentell cust. Single coil)
1939 Gibson EH-100
2017 Richard Wilson Weissenborn style
Quilter 202 w/dockblock10
Late 30’s Oahu model 229
1940’s Oahu Tonemaster
LSLME Chatsworth (Lap Steel Legacy Mark Evans w/Sentell cust. Single coil)
1939 Gibson EH-100
2017 Richard Wilson Weissenborn style
Quilter 202 w/dockblock10
-
Allan Revich
- Posts: 1290
- Joined: 2 Nov 2018 7:04 pm
- Location: Victoria
- State/Province: British Columbia
- Country: Canada
Re: EH-100 tone issues and what you did? Did it help?
I pulled out and played my EH-100-7 today and didn’t find it more trebly or “ice-picky” then my other lap steels. On 7 strings the highest string sits at the very edge of the blade magnet, perhaps that cuts out some treble?
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Michael Kiese
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Re: EH-100 tone issues and what you did? Did it help?
Aloha,
Check the value of the volume pot. Sometimes people replace the original pots and stick a 500K pot in there, which would make a single coil pickup extremely harsh and bright.
Single coil pups usually have 250K vol pots to help the high end frequencies bleed to ground. This tames the shrillness of single coils.
Nothing wrong with experimenting with 100K pots or lower. Just use your ear and see what you like.
Good luck and enjoy!
Check the value of the volume pot. Sometimes people replace the original pots and stick a 500K pot in there, which would make a single coil pickup extremely harsh and bright.
Single coil pups usually have 250K vol pots to help the high end frequencies bleed to ground. This tames the shrillness of single coils.
Nothing wrong with experimenting with 100K pots or lower. Just use your ear and see what you like.
Good luck and enjoy!
Aloha,
Mike K

1935 A22 Rickenbacher Frypan, 1937 7string Prewar Rickenbacher Bakelite, 1937 7string Epiphone Electar, 1937 Epiphone Electar, 1940's Post War Rickenbacher Bakelite, 1950 Supro, 1950's Rickenbacher ACE, 1950's Rickenbacher A25 Frypan, 1951 D8 Fender Professional, 1953 T8 Fender Custom, 1957 National New Yorker, 1955 Q8 Fender Stringmaster, 1961 Supro, 8string VanderDonck Frypan.
Mike K
1935 A22 Rickenbacher Frypan, 1937 7string Prewar Rickenbacher Bakelite, 1937 7string Epiphone Electar, 1937 Epiphone Electar, 1940's Post War Rickenbacher Bakelite, 1950 Supro, 1950's Rickenbacher ACE, 1950's Rickenbacher A25 Frypan, 1951 D8 Fender Professional, 1953 T8 Fender Custom, 1957 National New Yorker, 1955 Q8 Fender Stringmaster, 1961 Supro, 8string VanderDonck Frypan.