Robert Randolph playing 6-string PSG on Letterman 9/27/13
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Chris Walke
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Robert Randolph playing 6-string PSG on Letterman 9/27/13
Fiery playing on a stand-up 6-string PSG - doesn't look like the SixShooter....anyone recognize the model? Maybe a custom made guitar?
http://www.youtube.com/watch?v=mrGZf9-ugeg
http://www.youtube.com/watch?v=mrGZf9-ugeg
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Mark Greenway
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Mark Eaton
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You did!
The six-string standup pedal steel from the show last night had four pedals, the one from last month's Vintage Guitar magazine that was featured in the article on Robert and built by Jackson had three pedals.
Can't say I really loved the song but I sure like the energy!
Robert has an impressive left (bar) hand, that's for sure.
I think the six-string standup lap steel is a great idea, though I know they've been around in in a handful of different configurations.
The six-string standup pedal steel from the show last night had four pedals, the one from last month's Vintage Guitar magazine that was featured in the article on Robert and built by Jackson had three pedals.
Can't say I really loved the song but I sure like the energy!
Robert has an impressive left (bar) hand, that's for sure.
I think the six-string standup lap steel is a great idea, though I know they've been around in in a handful of different configurations.
Last edited by Mark Eaton on 30 Aug 2013 4:08 am, edited 1 time in total.
Mark
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Pete Burak
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Interesting.
That song kinda reminded me of CSN "Love The One Your With".
I tried long legs/rods made for my Sierra S12U, but it really moved around too much, especially left to right.
I see Roberts steel has alot of motion as he plays (closeup starting around 3min,5sec).
Maybe "Guide Wires" of some sort?
I still like the concept, but had a real problem working pedals/levers.
That song kinda reminded me of CSN "Love The One Your With".
I tried long legs/rods made for my Sierra S12U, but it really moved around too much, especially left to right.
I see Roberts steel has alot of motion as he plays (closeup starting around 3min,5sec).
Maybe "Guide Wires" of some sort?
I still like the concept, but had a real problem working pedals/levers.
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Chris Walke
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Tony Glassman
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Robert Randolph is very talented and has exceptional skills. I'm sure glad he's out there making steel guitar a morevisible instrument. As far as his playing is concerned, I don't care his tone - it sounds like an angry mosquito. While I respect his abilities, his style is not the style of steel guitar that draws me to the instrument.
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Paul King
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I for one really care for the music Robert plays but he definitely is a talented steel player. I have seen video of him playing and playing fast as well. He sure is a good answer that a steel guitar is not a only a country music instrument. I noticed the seven string bass as well. Very unique to say the least.
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http://youtu.be/4bUeafi29uo
Here's a new video with explaining what 3 of the four pedals do. DADF#AD, p1 raises perfect fifth to major sixth (A-B), p2 drops major third to minor third (F#-F) to G, p3 drops string 4 to dom7 (D-C), and I suspect that p4 is the major third to perfect fourth pedal (F#-G)
So you have major, minor, major 6, minor 6, minor 7, dominant 7, suspended 7, a 1-4 movement with two feet (but stylistically this isn't really necessary), and theoretically a 13th chord mashed up in there if you hit 3 pedals at once at every fret. Not especially handy if you're playing what Robert would call "planky twanky" country music, but for sacred steel, this is a great copedent. A very intuitive bridge between a 6 string lap and Robert's pedal steel.
Here's a new video with explaining what 3 of the four pedals do. DADF#AD, p1 raises perfect fifth to major sixth (A-B), p2 drops major third to minor third (F#-F) to G, p3 drops string 4 to dom7 (D-C), and I suspect that p4 is the major third to perfect fourth pedal (F#-G)
So you have major, minor, major 6, minor 6, minor 7, dominant 7, suspended 7, a 1-4 movement with two feet (but stylistically this isn't really necessary), and theoretically a 13th chord mashed up in there if you hit 3 pedals at once at every fret. Not especially handy if you're playing what Robert would call "planky twanky" country music, but for sacred steel, this is a great copedent. A very intuitive bridge between a 6 string lap and Robert's pedal steel.
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Anders Eriksson
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Peter den Hartogh
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Robert said B-C#.
(He is thinking E tuning but forgot the new guitar is in D tuning)
So if it is one tone lower than E tuning, it can only be A-B.
(He is thinking E tuning but forgot the new guitar is in D tuning)
So if it is one tone lower than E tuning, it can only be A-B.
1977 Sho~Bud D10 ProIII Custom; Sho~Bud SD10 The Professional ; ETS S10 5x5;
Fender 1000; 1993 Remington U12; 1978 Emmons S10 P/P; GeorgeB Weissenborn;
Fluger Cat-Can; Asher Electro Hawaiian; Gibson BR4; Fender FS52; Guyatone 8str;
Fender Resonator ; Epiphone Coronet 1937; Rickenbacher Ace; Rickenbacher NS;
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Fender 1000; 1993 Remington U12; 1978 Emmons S10 P/P; GeorgeB Weissenborn;
Fluger Cat-Can; Asher Electro Hawaiian; Gibson BR4; Fender FS52; Guyatone 8str;
Fender Resonator ; Epiphone Coronet 1937; Rickenbacher Ace; Rickenbacher NS;
Dynalap 8string; Harbor Lights 8string; Aiersi Tri-Cone; Fender Stringmaster
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Anders Eriksson
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