"You Don't Know What Love Is" by Sez

[Neil McCollum]

Here's a link to Sez Adamson's latest: "You Don't Know What Love Is". Hope you enjoy it as much as I do!
http://www.youtube.com/watch?v=zZlH_7wASxw

[Danny Sneed]

Hi Neil, THANK'S, it's Wonderful.

[David Wright]

Great taste in cords, and tone..))))

[Brian Henry]

I like this clip. Sez is really good. He was the first person I ever heard playing pedal steel guitar back in the 1970's in Johannesburg.

http://m.youtube.com/#/watch?v=nSiLMh-I ... SiLMh-INEk

[Don Drummer]

wish I could see his feets and knees. Anyone know his copedent?

[CrowBear Schmitt]

Love Sez's playing - his approach to C6 is quite enriching
he uses hip 4 note grips
his C6 copedent is pretty standard
Emmons P4 to P8
Sez added P9 which is a duplicate P6 that facilitates using his right foot w: the right knee levers
LKL raises E > F on 6
LKV raises D > D#/Eb on 1 & C > C# on 10
LKR raises G > G# on 5
RKL raises A > Bb on 4 & 8
RKR lowers C > B on 3
splits :
P5/LKR : G on 5
P6/LKL : E on 6
P5/P8 : F on 9
P5/LKV : C# on 10 ?

[Sez Adamson]

Thanks, Crowbear for posting>
Correction to Crowbear's post.

P8 lowers C to A on 10th string. 'Add' Lkv (raises C to C# on str 10), the combined effect is the lowering of string 10 by a half tone to B.
This is not a function of using the split tuning screws. It just works like this on the Emmons Legrande. The B note is slightly flat, but it is easy to compensate by pushing the heel of the bar down a little more.

P8 lowers string 9 from F to E. P5 raises string 9 from F to F#.
Both together 'cancels' the change, and the note remains at F. (Again no use of split tuning screw).

The benefit is a nice chord that I have used from time to time. (maj7#5)
Press pedals 5 & 8 together and pick strings 9, 7, 6, 4
String 7 is now sharpened by a half tone, while the other three strings remain unchanged.