Thought you'd never ask, b0b!
My show went great, though I had to set up two complete steel rigs. Cornell Hurd, up first with a 25 minute show, wanted me to play my regular rig ('65 Emmons thru Evans) for our arrangements, so I did that. Then, after a break, the house band (which was
excellent, Lisa Pankratz on snare, Billy Horton on bass, Paul Skelton on guitar, and amazing Erik Hokkanen on fiddle) set up and I played my Bigsby Reissue through my 1956 Standel 25L15 (only 25 watts, but the tone!!!... sheesh!).
And I was a little hesitant and embarrassed at first since Ricky Davis was literally 6 inches away from me watching every freakin' move I made! Talk about "under the microscope!?"
Then followed the entire Austin alt./trad. country contingent, each doing 2-4 HW songs with the no-rehearsal band winging it for each number, from 9pm to 1:45am with 1 20 min. break.
"Phew!"
However, due to the amazing knowledge base onstage, especially Paul Skelton and Erik Hokkanen, everything came off great. I had several vapor locks and screwed up some important solos, but Paul and Erik rescued me most of the time.
Though I set up the Bigsby with the pedals, I eschewed their use all night. Both Alvin Crow and Wayne Hancock (who has a real problem with me playing pedal steel

) demanded I play pedalless. So I did the whole gig on the C6, no pedals (D on top).
The event was a benefit for the Texas Folklife Resources Association. The place was packed with the usual array of under-30 trad. country, rolled-up-jeans retro-hipsters, and their sexy mamas, dancing to everything from the slowest ballads and Luke the Drifter gospel tunes to the snappiest Hank novelty tunes. Soloists got applause after good rides. And the bar was so crowded you couldn't get a beer.
So it was a regular night in Austin, all told, pretty good for a Sunday.
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Herb's Steel Guitar Homesite
<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Herb Steiner on 18 September 2000 at 12:22 PM.]</p></FONT>