Note: this might be a bit too technical for some. If so, you may wish to exit out now. I fully understand.
For any who might elect to learn more about bias, and the why's and wherefore's about it, I thought we could discuss it in a little different way.
In other words, instead of "cliche's" like, set it for minimun hum or "adjust it 'til it sounds the best", I would like to describe first what it is and remove some of the mystery, if you will; and then explain some of the anamolies concerning bias.
First the name bias. I am not sure of the source of the word. Not even sure it fits; nevertheless it has been one of the basics since Dr Lee DeForest put a third element in a diode vacuum tube and called it a triode. Or the beginning of the world's first electronic amplifier.
Biasing a tube is a method of controlling the amount of current that a tube draws with NO signal present at its input. It is done with certain specifics in mind.
Think of a venetian blind for a moment. When it is wide open, maximum light (saturation) is allowed to flow thru it. When it is closed, no light (cutoff) flows thru it. Note: I am talking about a perfect venetion blind, not the el cheepo's that one buys at Walmarts.
The way a blind controls the light is set by a wand that adjusts the slats to allow more, or less, or maximum, or no light to flow, depending upon where the slats are set.
The wand is the "bias" of the blind. The object is the amount of light flow. On a tube the "bias" sets the amount of current that flows thru the tube when no signal is present. From nothing (cutoff) to maximum (saturation) with a given power supply and other associated parts connected to that tube.
Ideally, the rate of change in current flow in a tube would be even and smooth (linear) all the way from cutoff to saturation. Sadly, that is NOT how any tube or transistor works.
Rather it is non linear leaving cut off, turns linear for about the next 80% of the way, then turns non linear again as the tube approaches saturation.
Because of this anamoly, electronic engineers have had to deal with a built-in nightmare from day one.
In a class A amplifer, the tube is "biased" so that with NOTHING coming into it (no signal) the tube is operated at precisely half way up the linear portion of the above anamoly, called "characteristic curve".
This way, the tube can increase current or decrease current linearly depending upon whether the incoming signal aids the bias or opposses it. As long as the signal does not drive the tube into the non linear part near cutoff (or saturation).
Now in a Class B amplifier, the tube is biased at cutoff. In a Class C, the tube is biased well beyond cutoff. Now the bad part of this is, in BOTH cases (B or C) this biasing would cause intolerable distortions of all kinds in any amplifier.
This is due to the non linearity characteristics close to cut off before the linear part begins. Or beyond cutoff in Class C where the output would not only be extremely distorted, but it would not even contain all the signal.
Now class A has a problem also. First of all, it wastes mucho power. Because it is always ON! Also, the amount of amplification is ONLY half what if could be IF there was a way to bias it where the linear part starts and uses two tubes to cover both halves of the input signal.
Then we could double the amount of amplification without having to build a power supply twice as large.
So how can we do this? Very simple. Bias at least two tubes so that the tubes begins operating JUST at the linear portion. So this means, a bias pot is necessary; because tubes even of the same brand and type can have slightly different curves.
This method of biasing is between A and B. Thus the Class AB label. So, biasing means; we are setting the push pull output tubes so they are NOT cutoff; rather they are conducting a small amount of current, just enough, so the tubes NEVER are operated in the non linear portion of its characteristic curve (near cutoff).
Having said that, what is class AB1 and AB2? Ok, Engineers found a way to squeeze EVEN more power, everything else being equal, IF they biased the tubes partly IN the non linear portion, without having the extreme distortion appear in the output.
And how did they achieve this? Ok, by a system of feeding back a tiny portion (the non linear part) back into the input in opposite phase so it would cancel out the distortion. Clever huh?
Indeed. And that is precisely what they did. They called it AB1 biasing; or simply class AB1. Tinkering with it further, engineers discovered that most ears can tolerate (and even like, in some cases) a tiny amount of crossover distortion*. So they adjusted the bias even further towards cutoff to take advantage of this quirk to gain even more power. This is called AB2.
And there you have it folks. ONLY one big problem. MOST manufacturers are negligent and very bad about NOT telling us what the proper procedure is to adjust this bias pot. And this is indeed sad.
I have been in the elecrtonic business for most of my adult life. I have taught it for over 30 yrs in my carreer. And I have yet to see (there maybe one) a set of instructions that told the technician the proper way to adjust it!
So it ends up with high tech "good ole boy" technology. "Well I set it for minimun hum." "Well I don't, I set it for 30ma of current." Well I don't, I just set it 'til it sounds the best"
To WHOSE ears?
, And on and on, Ad infinitym.Oh well,
carl
*Note: "Crossover distortion" is where one tube is shutting down and its push-pull mate is just starting to turn on, once signal is applied. This is a critical point. This is why I have had a 40 yr pet peave with amplifier manufacturers.
TELL US THE PROCEDURE! SO WE ALL CAN GO DOWN THE SAME ROAD; IT'S FOR THE CUSTOMER, DUMMY!!
<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by C Dixon on 26 June 2004 at 05:58 PM.]</p></FONT>