Sonic Maximizer ?
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Frank Parish
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Sonic Maximizer ?
Does anyone use one of these? My son has been raving about this but I'm not familiar with it. He describes it as something similiar to the Hilton pedal for tone but it's a rack unit.
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KENNY KRUPNICK
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Dan Tyack
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When I had a rack this was a necessary component. The BBE thing is addictive, a magic bullet that will encourage you to leave it on all the time. It isn't the same at all as the kind of effect that using a buffer amp will provide. It doesn't change the frequency response at all, it simply does a frequency based time delay, so that the treble frequencies arrive at the ear slightly sooner than the bass frequencies. It also has a bass control which seems to affect the low midrange (punch) frequencies.
If I had a rack I would include one, but I have gone back pretty much to the simple go through and amp approach.
If I had a rack I would include one, but I have gone back pretty much to the simple go through and amp approach.
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John Paul Jones
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Dan wrote
I own 2.
One is a rackmount stereo unit that I have used for sound system applications. It works great. Now I primarily use it for cleaning up old recordings. It works wonders for this, too.
The other is in single-channel stomp-box unit designed for guitar, etc. I've used it with steel guitar and it blows away anything I have heard for cleaning up your tone, sound, etc.
I highly recommend them for all applications.
John Paul Jones<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by John Paul Jones on 17 July 2001 at 10:19 AM.]</p></FONT><FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by John Paul Jones on 17 July 2001 at 10:21 AM.]</p></FONT>
The literature that came with my 2 BBEs states that an amplifier handles low frequencies more efficiently than high frequencies. The result being that after amplification low frequencies reach our ears slightly ahead of the higher frequencies which makes the musical content sound muddy. The BBE processor delays the lows slightly - among other things - so that the frequencies reach our ears at about the same time.<SMALL>it simply does a frequency based time delay, so that the treble frequencies arrive at the ear slightly sooner than the bass frequencies.</SMALL>
I own 2.
One is a rackmount stereo unit that I have used for sound system applications. It works great. Now I primarily use it for cleaning up old recordings. It works wonders for this, too.
The other is in single-channel stomp-box unit designed for guitar, etc. I've used it with steel guitar and it blows away anything I have heard for cleaning up your tone, sound, etc.
I highly recommend them for all applications.
John Paul Jones<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by John Paul Jones on 17 July 2001 at 10:19 AM.]</p></FONT><FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by John Paul Jones on 17 July 2001 at 10:21 AM.]</p></FONT>
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Darvin Willhoite
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Martin Abend
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John Paul,
what is this stompbox called? I couldn't track this unit...
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what is this stompbox called? I couldn't track this unit...
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martin abend my homepage chicotarde@web.de
s-10 sierra crown gearless 3 x4 - Regal RD45 - fender hotrod deluxe
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Len Amaral
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Jeff Peterson
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Larry Bell
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I'd suspect the 'BB' is Barcus-Berry. The inventor of the BBE technology (Bob Crooks) was employed by Barcus-Berry and they, G&L Guitars, and BBE are all part of the same company called BBE Inc.
Could be Barcus Berry Electronics, but I'm not sure. I agree with the others -- this is technology that WORKS. Excellent product.
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<small>Larry Bell - email: larry@larrybell.org - gigs - Home Page
1969 Emmons S-12 6x6, 1971 Emmons D-10 9x9, 1971 Dobro
Could be Barcus Berry Electronics, but I'm not sure. I agree with the others -- this is technology that WORKS. Excellent product.
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<small>Larry Bell - email: larry@larrybell.org - gigs - Home Page
1969 Emmons S-12 6x6, 1971 Emmons D-10 9x9, 1971 Dobro
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Darvin Willhoite
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Jay Ganz
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John Paul Jones
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Martin and B Cole
The stomp-box is by BBE and is called a "Stinger". The only made a few of them. By the time I heard of them BBE had quit making them.
Larry
I Think you are right, that BBE means Barcus-Berry Electronics.
Jeff
You are so right. I wouldn't take $1,000 for either of mine if I couldn't buy another one.
Jay Ganz
"Aural Exciter" is the registered trademark name of a device that accomplishes basically the same effect, but uses a different method to do so.
John Paul Jones <FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by John Paul Jones on 18 July 2001 at 02:27 PM.]</p></FONT>
The stomp-box is by BBE and is called a "Stinger". The only made a few of them. By the time I heard of them BBE had quit making them.
Larry
I Think you are right, that BBE means Barcus-Berry Electronics.
Jeff
You are so right. I wouldn't take $1,000 for either of mine if I couldn't buy another one.
Jay Ganz
"Aural Exciter" is the registered trademark name of a device that accomplishes basically the same effect, but uses a different method to do so.
John Paul Jones <FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by John Paul Jones on 18 July 2001 at 02:27 PM.]</p></FONT>
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KENNY KRUPNICK
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Jim Smith
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BTW, the BBE web site is: http://www.bbesound.com/home.htm
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Doug Earnest
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Roger Miller
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If you ask the companys or read the lit., this is suppose to be in the effect nowdays. You must read the differences between the BBe and the Aphex. I have the Aphex for guitar and it gives me tones without the EQ. hiss. Also It brings out the frquencies that are week. It is a nice effect but read about them or try them first.
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Tony Rankin
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John Paul Jones
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Tony,
To me it's logical to have your sound as clean as possible before going into your effects, so I use mine this way: guitar --> BBE 362 or my BBE Stinger stomp-box --> effects --> volume pedal --> amp.
It works so good I've never tried it any other way.
BTW, I used Aphex enhancers on my sound systems for years before BBEs came out. Now I use BBEs exclusively. I think they sound better. But, maybe more important, I had a lot of feedback problems using Aphex that I don't have using BBEs.
John Paul Jones
To me it's logical to have your sound as clean as possible before going into your effects, so I use mine this way: guitar --> BBE 362 or my BBE Stinger stomp-box --> effects --> volume pedal --> amp.
It works so good I've never tried it any other way.
BTW, I used Aphex enhancers on my sound systems for years before BBEs came out. Now I use BBEs exclusively. I think they sound better. But, maybe more important, I had a lot of feedback problems using Aphex that I don't have using BBEs.
John Paul Jones
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Roger Miller
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Roger Miller
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Tim Rowley
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I have a BBE Sonic Maximizer which I no longer use, mainly because they don't travel real well and on mine the input (output?) jack got bumped and cracked the PC board causing an open circuit which is very difficult to properly repair. All that money down the drain. Yeah, they make your steel sound big, but to me they're a hassle just like stompbox effects, something else to go wrong. I've got good amplifiers so I just plug straight into them and to heck with effects other than a touch of amp reverb. My advice is, if you travel a lot don't waste your money on a BBE unless it is permanently rack-mounted and fed to/from a patchbay. On the other hand, if you like effects and have the money to spend, go ahead and buy one because they do give you a BIG sound. But handle the dog-gone thing with kid gloves.
Just MHO,
Tim R.
Just MHO,
Tim R.
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Martin Abend
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Has anyone tried the Behringer exiter (Dualfex, Ultrafex, whateverfex)? They're petty cheap, but can you compare them with the BBE?
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martin abend my homepage chicotarde@web.de
s-10 sierra crown gearless 3 x4 - Regal RD45 - fender hotrod deluxe
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martin abend my homepage chicotarde@web.de
s-10 sierra crown gearless 3 x4 - Regal RD45 - fender hotrod deluxe