Kayton Roberts Front Neck C Diatonic sound
Moderator: Brad Bechtel
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Jimmy Washington
- Posts: 41
- Joined: 16 Nov 2022 10:24 pm
- Location: Greensboro, North Carolina, USA
Kayton Roberts Front Neck C Diatonic sound
Im looking for advice or recordings of Kayton using the C diatonic sound on the front neck. The full chord voicings are built within the tuning, but it doesn't seem too friendly for double stops like a C diatonic is.
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Chris Scruggs
- Posts: 812
- Joined: 20 Jan 2003 1:01 am
- Location: Nashville, Tennessee, USA
Re: Kayton Roberts Front Neck C Diatonic sound
Kayton’s outside neck was tuned to an F13/9 tuning:
F
D
A
F
G
Ed
C
F
This was a variation of E13 only tuned up half a step and with the two middle strings reversed to accommodate some particular bar slants. As an E tuning, it would appear like this:
E
C#
G#
E
F#
D
B
E
^^^ notice the middle E and F# are backwards! So the voicing of this tuning is:
1
6
3
1
9
d7
5
1
The “diatonic” type licks you are hearing are from when you play d7, 1, 9, 3, 6. On C diatonic, you hear this voicing on Jerry Byrd tunes like “Come A Little Closer,” where the tuning is, in certain passages, approached as a G13/9.
So, if I am correct in my understanding of your question, what you’re hearing is the voicing found in these strings:
Kayton’s F13/9 tuning:
F
D 6
A 3
F 1
G 9
Ed 7
C
F
C Diatonic’s G13/9 voicing:
E 6
C
B 3
A 9
G 1
F 7
E
F
D
A
F
G
Ed
C
F
This was a variation of E13 only tuned up half a step and with the two middle strings reversed to accommodate some particular bar slants. As an E tuning, it would appear like this:
E
C#
G#
E
F#
D
B
E
^^^ notice the middle E and F# are backwards! So the voicing of this tuning is:
1
6
3
1
9
d7
5
1
The “diatonic” type licks you are hearing are from when you play d7, 1, 9, 3, 6. On C diatonic, you hear this voicing on Jerry Byrd tunes like “Come A Little Closer,” where the tuning is, in certain passages, approached as a G13/9.
So, if I am correct in my understanding of your question, what you’re hearing is the voicing found in these strings:
Kayton’s F13/9 tuning:
F
D 6
A 3
F 1
G 9
Ed 7
C
F
C Diatonic’s G13/9 voicing:
E 6
C
B 3
A 9
G 1
F 7
E
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Michael Kiese
- Posts: 360
- Joined: 17 Jul 2023 12:27 pm
- Location: Richmond, Virginia (Hometown: Pearl City, HI)
Re: Kayton Roberts Front Neck C Diatonic sound
Aloha Chris,Chris Scruggs wrote: 1 Dec 2025 11:24 am Kayton’s outside neck was tuned to an F13/9 tuning:
F
D
A
F
G
Ed
C
F
^^^ [the F and G are backwards] so the voicing of this tuning is:
1
6
3
1
9
d7
5
1
Thank you for your contributions to the forum. I've benefited a bunch thanks to your advice and insights from old comments years past.
In doing my own research on Kayton's tunings, there seems to be some major discrepancies. Perhaps as a subject matter expert on Kayton's playing, you would be kind enough to shed some light on the subject.
If you take a look at this YouTube link, https://www.youtube.com/watch?v=vnfPBYONn3c&t=521s, it shows Kayton's Tombstone with his tunings on it. Clearly, on the outside neck, his second string is notated as a C.
You stated above that it is a D. Furthermore, I contacted John Ely because his website https://www.hawaiiansteel.com/tunings/s ... ?link=1038 is inline with the second string being a D as well. John was adamant that it was a D, and he pointed me towards an old interview in which Kayton said it was a D.
Is it possible that Kayton's Tombstone has a typo (gasp!)? Or perhaps he went back and forth from a C and a D?
Thanks in advance.
Aloha,
Mike K

1932 A22 Rickenbacher Frypan, 1937 7string Prewar Rickenbacher Bakelite (C Diatonic), 1937 7string Epiphone Electar (Jerry Byrd's E9), 1937 Epiphone Electar (C#m9), 1940's Post War Rickenbacher Bakelite (Feet's D), 1950 Supro (Open F), 1950's Rickenbacher ACE (C6), 1950's Rickenbacher A25 Frypan (A6), 1957 National New Yorker (Jerry's E13), 1955 Q8 Fender Stringmaster (A6, C6, Noel's E13, C Diatonic), 1961 Supro (Open A), 8string VanderDonck Frypan (Buddy Emmons's C6).
Mike K
1932 A22 Rickenbacher Frypan, 1937 7string Prewar Rickenbacher Bakelite (C Diatonic), 1937 7string Epiphone Electar (Jerry Byrd's E9), 1937 Epiphone Electar (C#m9), 1940's Post War Rickenbacher Bakelite (Feet's D), 1950 Supro (Open F), 1950's Rickenbacher ACE (C6), 1950's Rickenbacher A25 Frypan (A6), 1957 National New Yorker (Jerry's E13), 1955 Q8 Fender Stringmaster (A6, C6, Noel's E13, C Diatonic), 1961 Supro (Open A), 8string VanderDonck Frypan (Buddy Emmons's C6).
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Nathan Laudenbach
- Posts: 247
- Joined: 29 Oct 2015 9:39 pm
- Location: Montana
Re: Kayton Roberts Front Neck C Diatonic sound
This is why this forum is so awesome!