Chords at solos end - Blue eyes cryin' in the rain?(Update)
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Ron Pruter
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Chords at solos end - Blue eyes cryin' in the rain?(Update)
Has anyone attempted this. No one ever attempts the cool transition from the root chord E to bridge chord A. I hear the bass going C, B, A#, A. What are those chords/voicings? The person who tabs this out for steel should get an award. I think I heard Frank Carter play it right once. Please help.
RP
Last edited by Ron Pruter on 21 Oct 2022 6:37 pm, edited 1 time in total.
Emmons SKH Le Grande, Tick tack bass, Regal high strung, USA Nashville 112.
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Lee Baucum
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The way I hear that run is:
F7 (over the C)
E7 (over the B)
Bb7
A
For the E9 tuning it is helpful to have a split lower on the 6th string.
That way you can play the F7 on the 8th fret with the pedals down and 6th string lowered.
Slide back to the 7th fret for the E7.
Stay on the 7th fret with the E7 chord and lower string 8 with a lever for the Bb7.
Release all pedals and knee levers and slide back to the 5th fret for the A.
String 8 will have those 4 notes walking down to the A.
F7 (over the C)
E7 (over the B)
Bb7
A
For the E9 tuning it is helpful to have a split lower on the 6th string.
That way you can play the F7 on the 8th fret with the pedals down and 6th string lowered.
Slide back to the 7th fret for the E7.
Stay on the 7th fret with the E7 chord and lower string 8 with a lever for the Bb7.
Release all pedals and knee levers and slide back to the 5th fret for the A.
String 8 will have those 4 notes walking down to the A.
Lee, from South Texas - Down On The Rio Grande
There are only two options as I see it.
Either I'm right, or there is a sinister conspiracy to conceal the fact that I'm right.
Williams Keyless S-10, BMI S-10, Evans FET-500LV, Fender Steel King, 2 Roland Cube 80XL's,
Sarno FreeLoader, Goodrich Passive Volume Pedals, Vintage ACE Pack-A-Seat
There are only two options as I see it.
Either I'm right, or there is a sinister conspiracy to conceal the fact that I'm right.
Williams Keyless S-10, BMI S-10, Evans FET-500LV, Fender Steel King, 2 Roland Cube 80XL's,
Sarno FreeLoader, Goodrich Passive Volume Pedals, Vintage ACE Pack-A-Seat
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Marty Broussard
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RETIRED
Former steel guitarist for Tracy Byrd & The Byrd Dawgs, Mark Chesnut & The New South Band, Mark Nesler & Texas Tradition, Wayne Toups & ZydeCajun, Belton Richard & The Musical Aces
"Technique is really the elimination of the unnecessary..it is a constant effort to avoid any personal impediment or obstacle to achieve the smooth flow of energy and intent" Yehudi Menuhin
Former steel guitarist for Tracy Byrd & The Byrd Dawgs, Mark Chesnut & The New South Band, Mark Nesler & Texas Tradition, Wayne Toups & ZydeCajun, Belton Richard & The Musical Aces
"Technique is really the elimination of the unnecessary..it is a constant effort to avoid any personal impediment or obstacle to achieve the smooth flow of energy and intent" Yehudi Menuhin
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Ron Pruter
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Hey Lee, thanks. I went to bed liking what you sent me. When I woke up, it didn't seem quite right to me. First of all, The Bb7 sounds strange. could be just a not or two. Second, it doesn't make musical sense to me. I played along with Willie at half speed. It's close and I may use it when I do a Highwayman series of shows at the end of the month. Thanks again. Ron
Emmons SKH Le Grande, Tick tack bass, Regal high strung, USA Nashville 112.
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Lee Baucum
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Yeah. I'm listening to the song with a small tablet. Lo fidelity!
That Bb sounds more like a 6, not a 7.
Now I'm thinking the first two chords could be diminished chords, such as
Cdim 7th fret F lever
Bdim 6th fret F lever
Bb6 6th fret A pedal
A 5th fret
That signature guitar riff is kinda just implying chords.
Plus, the notes of the riff are widely spaced.
~Lee
That Bb sounds more like a 6, not a 7.
Now I'm thinking the first two chords could be diminished chords, such as
Cdim 7th fret F lever
Bdim 6th fret F lever
Bb6 6th fret A pedal
A 5th fret
That signature guitar riff is kinda just implying chords.
Plus, the notes of the riff are widely spaced.
~Lee
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John Sluszny
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https://youtu.be/crgtWomWg90
at 1:37
at 1:37
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Ron Pruter
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Check this out guys. The transition begins at 1:45
https://www.youtube.com/watch?v=S0imp1lky5A
It appears to me F7 with a 5 in the bass a C). This sparse chord is-low to high- (5/3/b7). drop it one fret then another then the A chord. That, to me, is an F7-E7-Eb7-to A with 5's for the bass notes on the 7th chords.
Thanks again Lee. RP
https://www.youtube.com/watch?v=S0imp1lky5A
It appears to me F7 with a 5 in the bass a C). This sparse chord is-low to high- (5/3/b7). drop it one fret then another then the A chord. That, to me, is an F7-E7-Eb7-to A with 5's for the bass notes on the 7th chords.
Thanks again Lee. RP
Emmons SKH Le Grande, Tick tack bass, Regal high strung, USA Nashville 112.
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Ron Pruter
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Yes Lee. Just saw your previous post. After watching the video above, it could also be a Bb dim. right before the A chord. This "chord" he is using is a dim. chord I learned from Ranger Doug Green. Doug is a huge fan of Freddie Green's three note chord playing method. Freddie played for fifty years with Count Basie. In that method Freddie usually uses three, or so, notes and mutes the rest of the strings by angling his fingers of his chording hand, to touch them. You get a real powerful combination of scratch rhythm and color notes. RP
Emmons SKH Le Grande, Tick tack bass, Regal high strung, USA Nashville 112.
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Dave Manion
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Ron Pruter
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Ron Pruter
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- Location: Arizona, USA