What effect is used to get tone in Kentucky rain Eddie Rabbi
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Jeremy Marcum
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What effect is used to get tone in Kentucky rain Eddie Rabbi
I'm trying to figure out what effect was used to get this sound in Eddie Rabbitts Kentucky Rain. I'm not sure who recorded this version with Eddie. I have read somewhere that Bobbe Seymour recorded Kentucky rain with Elvis.
You can hear the sound that I'm talking about at 1:03, 2:40, 2:56 and from 3:28 to the end of the song.
http://youtu.be/PxTD9YVDd38
You can hear the sound that I'm talking about at 1:03, 2:40, 2:56 and from 3:28 to the end of the song.
http://youtu.be/PxTD9YVDd38
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Mike Wheeler
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Richard Sinkler
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Sounds like a flanger to me. That EH pedal I assume has a flanger built it to make the "Flerb" sound. I wouldn't necessarily say it is that particular pedal though. It could be one of many.
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Mike Wheeler
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Effect unit
Could well be a Small Stone phaser by EH. That was a very popular phaser at that point in time.
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Olli, to be exact Elvis recorded the song in '69.This song is from 1970
I checked Eddie Rabbit's discography and found his song on an album called "Variations" which is from 1978.
I have the Memphis Record double album by Elvis and the credits list John Hughey as the steel player, I hear him playing on "I'm Moving On", which I think is the only track with steel.
Last edited by Joachim Kettner on 18 May 2014 12:59 am, edited 1 time in total.
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Olli Haavisto
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Back in those days, "flanging" was a studio effect originally produced by someone dragging their finger on the spinning tape reel; the first electronic studio "flangers" had a manual shift knob that could be positioned or swept manually by the engineer. This effect was only automated into stomp boxes later, so at that date it was most likely created by the engineer during mixdown.
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Olli Haavisto
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Pete Finney
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"Stomp-box" flangers had been available for a while by 1978, and there were several phase-shift pedal options.
Sonny Garrish (and others) experimented a lot with those kinds of things, and I'd guess the player got this sound going into his amp, and that it's not something added in the mix.
That would have been a pretty unusual thing in Nashville at the time; I'm pretty sure any effects like this tended to go to tape from the player. (I agree that it sounds a lot like the Small Stone).
Sonny Garrish (and others) experimented a lot with those kinds of things, and I'd guess the player got this sound going into his amp, and that it's not something added in the mix.
That would have been a pretty unusual thing in Nashville at the time; I'm pretty sure any effects like this tended to go to tape from the player. (I agree that it sounds a lot like the Small Stone).
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Olli Haavisto
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As in this song by the Grapefruit, Olli?
https://www.youtube.com/watch?v=P1qbQyB37ZQ
I bought the EH pedal because my amp didn't have reverb and when I switched to "flerb", I thought that was exactly what Doug Rodriguez used on this:
https://www.youtube.com/watch?v=ur5ec-qokEU
But this was recorded in 1971 so I guess I was wrong.
https://www.youtube.com/watch?v=P1qbQyB37ZQ
I bought the EH pedal because my amp didn't have reverb and when I switched to "flerb", I thought that was exactly what Doug Rodriguez used on this:
https://www.youtube.com/watch?v=ur5ec-qokEU
But this was recorded in 1971 so I guess I was wrong.
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Richard Sinkler
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I'm with Pete. I always thought Sonny did most of Rabbit's sessions (just what I heard back in the day). And don't ever put it past Sonny to come up with "different" things.
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Wow Steve I'd forgotten about my old MXR Envelope Filter! I also had a Small Stone and a thing called the Clone Theory. I actually think I got my Clone Theory after watching you use one with Whiskey River but the memory is hazy. Seems like everyone was buying and discarding stomp boxes with great abandon back then!
