ZB Pedal Steel Guitars - Please help!
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I seem to have fallen into a very deep hole?!
Just acquired this "ZB" that presents more questions than answers. So I thought I'd come to the fount of knowledge and ask What have I got?" and suggestions on what to do? It appears to be an old Zane Beck guitar that was once a D-10 and has had someone start (and NOT finish) to make it into a single neck. As you can see, there is a lot that is not original and a good amount that appears to be original...and there is no undercarriage (yet?). Still, it has a certain intrinsic beauty that called out to me. So, brothers and sisters, give me your best...










And it all came "wrapped" in an red tolex (HEAVY) case. Thanks y'all for ANY information.










And it all came "wrapped" in an red tolex (HEAVY) case. Thanks y'all for ANY information.
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Jeremy Craft
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Now to try to be helpful, rather than facetious:
The cabinet looks like a ZB, except for where the switchplate is mounted. The pedal board does not; my ZB has an extruded or machined aluminum rail and not wood. Also, the legs on mine are much more extended when it's at playing height. The pedals are not mounted similarly to mine, the pedals don't look like any ZB pedals I've ever seen, and the endplate isn't even close. The changer fingers are in backwards, and it's not a ZB changer anyway. The headstock, tuners and roller nut look genuine, as does the fretboard (I haven't seen a two-color signature before, but that could just be me). The bridge plate is not similar to mine, either, but it could be one of the "chopped"-style ones. The pedal rods are different, too. The pickup doesn't look stock, either, because of the hex key adjusting polepieces, and the switchplate is mounted facing up, rather than back.
It looks like someone tried to make their own ZB, even using some ZB parts. Maybe it's a prototype of some kind?
That's a great looking piece of wood, in any case. It appears to have a lot of potential. I love mix-and-match type instruments (although I wouldn't dream of doing that with a ZB!).
The cabinet looks like a ZB, except for where the switchplate is mounted. The pedal board does not; my ZB has an extruded or machined aluminum rail and not wood. Also, the legs on mine are much more extended when it's at playing height. The pedals are not mounted similarly to mine, the pedals don't look like any ZB pedals I've ever seen, and the endplate isn't even close. The changer fingers are in backwards, and it's not a ZB changer anyway. The headstock, tuners and roller nut look genuine, as does the fretboard (I haven't seen a two-color signature before, but that could just be me). The bridge plate is not similar to mine, either, but it could be one of the "chopped"-style ones. The pedal rods are different, too. The pickup doesn't look stock, either, because of the hex key adjusting polepieces, and the switchplate is mounted facing up, rather than back.
It looks like someone tried to make their own ZB, even using some ZB parts. Maybe it's a prototype of some kind?
That's a great looking piece of wood, in any case. It appears to have a lot of potential. I love mix-and-match type instruments (although I wouldn't dream of doing that with a ZB!).
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Geoff Cline
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Thanks Jeremy. My thoughts exactly. I'm exploring stripping off the bad, keeping whatever is ZB and seeing if it makes sense to make it a playable "rat rod" steel. I love ZB guitars.Jeremy Craft wrote:Now to try to be helpful, rather than facetious:
The cabinet looks like a ZB, except for where the switchplate is mounted. The pedal board does not; my ZB has an extruded or machined aluminum rail and not wood. Also, the legs on mine are much more extended when it's at playing height. The pedals are not mounted similarly to mine, the pedals don't look like any ZB pedals I've ever seen, and the endplate isn't even close. The changer fingers are in backwards, and it's not a ZB changer anyway. The headstock, tuners and roller nut look genuine, as does the fretboard (I haven't seen a two-color signature before, but that could just be me). The bridge plate is not similar to mine, either, but it could be one of the "chopped"-style ones. The pedal rods are different, too. The pickup doesn't look stock, either, because of the hex key adjusting polepieces, and the switchplate is mounted facing up, rather than back.
It looks like someone tried to make their own ZB, even using some ZB parts. Maybe it's a prototype of some kind?
That's a great looking piece of wood, in any case. It appears to have a lot of potential. I love mix-and-match type instruments (although I wouldn't dream of doing that with a ZB!).
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B. Greg Jones
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Geoff Cline
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As they say in the bluegrass world...I ain't broke, but I'm badly bent."Kevin Hatton wrote:That was an original Zane Beck guitar. There are not many of those guitars left. That one was ruined by someone. What a crying shame. A piece of history down the drain.
This guitar will live again...somehow, some way...it's gonna happen.
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Kevin Hatton
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Mark Isakson
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ZB Custom D10
I just picked up this 1969 (?) ZB Custom D10. It needs some love, but it plays fairly well. It's currently an 8+3, but I'm hoping to add another knee. The serial number is 1088, and the logo is missing from the front. It looks the flower design was added afterwards, though I can't be sure. Anybody out there know if ZB ever did decals like this?




I'd love to know anything about this instrument, if any of y'all have anything to share. I'm stoked to be part of this little club.




I'd love to know anything about this instrument, if any of y'all have anything to share. I'm stoked to be part of this little club.
1967 ZB Custom D-10
1980 Sho~Bud Pro 1
Dr. Z Maz Jr.
Peavey Nashville 400
1978 Fender Tele
1966 Gibson Minuteman
1971 Gibson SG
1924 Weissenborn Type 2 Lap Steel
... and a bunch of other stuff.
1980 Sho~Bud Pro 1
Dr. Z Maz Jr.
Peavey Nashville 400
1978 Fender Tele
1966 Gibson Minuteman
1971 Gibson SG
1924 Weissenborn Type 2 Lap Steel
... and a bunch of other stuff.
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B. Greg Jones
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Mark Isakson
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Thanks for the info, Greg! I appreciate it. As it happens, I was told by Jeff @ Show Pro that you might be the guy to speak with about tracking down a LKR for this instrument. Any ideas?
Also, is this the same Don Edwards who made the volume pedals? A quick Google suggests that he was both a pedal steel player and a shop owner in Denver. That would help explain how the instrument made it up to Seattle. (There is also a Don Edwards who is a Western musician. I've sent him/his agent an email to see if he is the same gentleman. The man is in his 80s and is certainly of the right age).
BTW, I picked this up for next to nothing from a gentleman south of Seattle who inherited it when he bought a studio. When I bought it the instrument was set up as a Day, and I've since flipped it to an Emmons, thus the desire to put one more knee lever on.
Also, is this the same Don Edwards who made the volume pedals? A quick Google suggests that he was both a pedal steel player and a shop owner in Denver. That would help explain how the instrument made it up to Seattle. (There is also a Don Edwards who is a Western musician. I've sent him/his agent an email to see if he is the same gentleman. The man is in his 80s and is certainly of the right age).
BTW, I picked this up for next to nothing from a gentleman south of Seattle who inherited it when he bought a studio. When I bought it the instrument was set up as a Day, and I've since flipped it to an Emmons, thus the desire to put one more knee lever on.
Last edited by Mark Isakson on 26 Jul 2011 12:23 pm, edited 2 times in total.
1967 ZB Custom D-10
1980 Sho~Bud Pro 1
Dr. Z Maz Jr.
Peavey Nashville 400
1978 Fender Tele
1966 Gibson Minuteman
1971 Gibson SG
1924 Weissenborn Type 2 Lap Steel
... and a bunch of other stuff.
1980 Sho~Bud Pro 1
Dr. Z Maz Jr.
Peavey Nashville 400
1978 Fender Tele
1966 Gibson Minuteman
1971 Gibson SG
1924 Weissenborn Type 2 Lap Steel
... and a bunch of other stuff.
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Kevin Hatton
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John,
I'll email the bucket to you when I'm done drooling into it.
We still need an emoticon that drools.
I'll email the bucket to you when I'm done drooling into it.
We still need an emoticon that drools.
Carter D10 8p/7k, Dekley S10 3p/4k C6 setup, Regal RD40 Dobro, Recording King Professional Dobro, NV400, NV112, Ibanez Gio guitar, Epiphone SG Special (open G slide and regular G tuning guitar) .
Playing for 55 years and still counting.
Playing for 55 years and still counting.
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Russ Tkac
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