He must not of liked that answer when I gave it to him! ................................just kidding
Derby SD-10 4&5 Black!(duh)/
Derby D-10/Steelers Choice/
Goodrich 120/ 2- Katana Boss 100's
Nashville 400/Nux Atlantic/Strobo Stomp HD
As long as I'm down in the mix I'm Fantastic!
Just like Dick. Into the High gain. No effects loop. I'm not open for change!
Derby SD-10 4&5 Black!(duh)/
Derby D-10/Steelers Choice/
Goodrich 120/ 2- Katana Boss 100's
Nashville 400/Nux Atlantic/Strobo Stomp HD
As long as I'm down in the mix I'm Fantastic!
Location: McAllen, Texas (Extreme South) The Final Frontier
Postby Lee Baucum »
Have any of you guys tried programming a reso-sounding patch? I think the eq section of the unit has only 5 bands, so there may not be enough there to work with.
I would really like to have a good dobro patch!!!!!
Derby SD-10 4&5 Black!(duh)/
Derby D-10/Steelers Choice/
Goodrich 120/ 2- Katana Boss 100's
Nashville 400/Nux Atlantic/Strobo Stomp HD
As long as I'm down in the mix I'm Fantastic!
a Dobro patch would be super. You probably need 6 or 7 bands to pull off the comb-filter trick. But maybe we could figure out how to hold the wah in a certain fixed position - some of the wah settings sound real similar to a Boss GE7 with the comb-filter settings (which is what I presently use for dobro sounds).
In regards to Tom's question on where do you put the effects in the signal chain:
One of the drawbacks to a “multi-effects device” is that:
Time based effects (reverbs, delays, chorus, flange) typically work best with the volume pedal before the effect. (example; the reverb is not cut off by the volume pedal)
Signal altering effects (eq, distortion, cabinet modeling, compression, limiting) typically work best with the volume pedal after the effect. (example; the distortion maintains a constant value regardless of the volume pedal position)
Connecting in through the effects loop generally places the effects before the volume pedal.
I design my overdrive and distortion patches to operate after the volume pedal, since that’s where mine is placed in the signal chain. What that means is that with less volume pedal applied, I get a cleaner sound. The more the volume pedal is depressed, the more distortion is applied. Setting the output volume and amp volume is critical to this equation and takes some experimentation. Having done this for so long, I’m happy with this method as it gives me a wide range of the degree of overdriven sound, controlled by my volume pedal.
Since these pedals are designed for guitar players, they rarely have to consider these options as many don’t use volume pedals in the same manner as us
Steve! I'm still in the RP 150 club but........... I have an rv3 that I like as well. Can I hook the both up after the pedal (which is what I do now) and be able to switch back and forth at will. They both have bypass. I miss not having all of the options when I'm not using the RP. This would give me the best of both worlds. What's the hook up? Thanks!
Derby SD-10 4&5 Black!(duh)/
Derby D-10/Steelers Choice/
Goodrich 120/ 2- Katana Boss 100's
Nashville 400/Nux Atlantic/Strobo Stomp HD
As long as I'm down in the mix I'm Fantastic!
Hey all,
Just got the RP155, and seems the files for the Rp150 are not recognized with the 155. Like to try the Emmons preset but won't open.
Thanks,
George
Thanks for the files. I've got an RP155. There may be an easier way but to use the 150 presets (files) on a 155, I changed the file extention from .rp150 to .rp155 then opened the files with notepad and changed the first and last line in the file from 150 to 155. I think these RP's are great little gadgets.
Being somewhat techno challenged- I would love it if one of you guys would take the time to list the settings for some of these patches, so I can set them manually.ex:
amp...DC cab..TR gain..45 level..80
EQ...MB B-4 M.-10 T.+3
Rev...40...40...35
delay..AD 35...30...22
Being very new to the Rp155 myself, I did download the X-Edit program from Digitech and found this interface to be quite easy to use. You could select any one of the fifty "user" settings and enable the "effects" you wish to use and then in the effects block make the individual changes to the eq,delay etc and then "save the preset". I can't say it would be that easy to do it from the device itself and I probably won't have the patience to figure that out but the software interface is really easy to use!
George
I'm slow, that's a given, but I have just discovered the headset out of my RP150. This is a great tool for working on blocking and intonation. If your like me and have some hearing loss, the head set allows me to hear my blocking and intonation better then just using the amp at a low volume. If you have not tried it, please do.
Also makes tuning by ear or making slight adjustments to your existing tuning easy.
Works Ok Steve... I also tried it up around fret 10 on the higher strings w/a large sharpie and it gives a passable banjo effect. Usable in a pinch. Have to lay off the pedals...