Sleep Walk as per ORIGINAL version
Moderator: Ricky Davis
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basilh
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- Location: United Kingdom
Sleep Walk as per ORIGINAL version
This is from the March Issue of Aloha Dream.
(You don't know what you're missing)
The higher quality is the pdf and the story and discography, here:--->
https://www.facebook.com/download/previ ... 275222170/
or here:-->
http://www.waikiki-islanders.com/assets ... 20Walk.pdf
You CAN subscribe to the magazine here Click this
(You don't know what you're missing)
The higher quality is the pdf and the story and discography, here:--->
https://www.facebook.com/download/previ ... 275222170/
or here:-->
http://www.waikiki-islanders.com/assets ... 20Walk.pdf
You CAN subscribe to the magazine here Click this
Last edited by basilh on 22 Mar 2020 3:07 pm, edited 1 time in total.
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Don Sulesky
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Sleepwalk
Thanks for posting the article.
One of my fondest memories was seeing them live in person in 1960 play that song on stage among others such as Caravan. From that day all I wanted was to play steel guitar but it did not materialize for me until the early 70's.
And yes it was Santo on steel, not Johnny. I also talked to them for about 1/2 hour outside after their performance. What a thrill!!!!
Don
One of my fondest memories was seeing them live in person in 1960 play that song on stage among others such as Caravan. From that day all I wanted was to play steel guitar but it did not materialize for me until the early 70's.
And yes it was Santo on steel, not Johnny. I also talked to them for about 1/2 hour outside after their performance. What a thrill!!!!
Don
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Kevin Ruddell
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basilh
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Kevin, releases subsequent to the single are in C# (Probably a mastering fault)
BUT if you watch the video or listen to the sound clip you'll see that the tune was ORIGINALLY played in C.
The url of the video and the soundclip are given in the
first paragraph of page 22 above, but to save you typing them in just click the following links :-
Sound file
Video file
BUT if you watch the video or listen to the sound clip you'll see that the tune was ORIGINALLY played in C.
The url of the video and the soundclip are given in the
first paragraph of page 22 above, but to save you typing them in just click the following links :-
Sound file
Video file
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Alan Brookes
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Cartwright Thompson
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James Cann
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Bernard Beck
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basilh
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Bernard, there are samples of the magazine to view here :-
Click this
Click this
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Brian Doyle
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basilh
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basilh
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A not Bb ..
646 viewings and nobody spotted the deliberate mistake in bar one ?
fret 5 not 6 .. A not Bb ..
fret 5 not 6 .. A not Bb ..
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Brian Doyle
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Bruce Bindeman
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- Location: Illinois, USA
Basil,
I practiced with your version yesterday and signed on to "note" the "mistake" today! I also suspected you did it deliberately since the rest of the piece seems faultless.
I've been using A6 for Sleepwalk, mainly because I don't want to re-tune during a set. We also play Slave Girl and Teardrop. Teardrop probably uses C#m7 also. Slave Girl works best with A6 for me.
What would be the 7th string tuning? Obviously, Santo used an E for the 8th string.
But I notice that if the 7th and 8th strings are tuned to A and F# (from the A6 tuning), the C and A bass notes are available on the third fret during the intro.
I like the 'feel' of the C#m7 tuning you list, too.
Do you use offsets for your tuning, similar to the Peterson offsets John Norris has posted? What would be the right offsets for the minor 3rd and Dom 7th notes?
Regards,
Bruce
I practiced with your version yesterday and signed on to "note" the "mistake" today! I also suspected you did it deliberately since the rest of the piece seems faultless.
I've been using A6 for Sleepwalk, mainly because I don't want to re-tune during a set. We also play Slave Girl and Teardrop. Teardrop probably uses C#m7 also. Slave Girl works best with A6 for me.
What would be the 7th string tuning? Obviously, Santo used an E for the 8th string.
But I notice that if the 7th and 8th strings are tuned to A and F# (from the A6 tuning), the C and A bass notes are available on the third fret during the intro.
I like the 'feel' of the C#m7 tuning you list, too.
Do you use offsets for your tuning, similar to the Peterson offsets John Norris has posted? What would be the right offsets for the minor 3rd and Dom 7th notes?
Regards,
Bruce
Harbor Lights clone, Quilter MicroPro Mach 2 HD
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Alan Brookes
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Have you compared it with this (from another thread) ?
http://www.youtube.com/watch?v=hD4rqYOx9PY
Personally, I'm not keen on the Ventures's re-interpretation.
http://www.youtube.com/watch?v=hD4rqYOx9PY
Personally, I'm not keen on the Ventures's re-interpretation.
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Bruce Bindeman
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Alan,
I agree with you.
The Ventures clip is from a history/tribute/performance video made in the 80's featuring guest artists like Peter Frampton, David Johansen, Phil Collins, Robby Kreiger, Josie Cotton, Rick Derringer, etc. All intermixed with interviews with the aforementioned artists and others (Joey Ramone, et al) talking about the Ventures' influence. I got my copy through the Ventures fan club.
Bruce
I agree with you.
The Ventures clip is from a history/tribute/performance video made in the 80's featuring guest artists like Peter Frampton, David Johansen, Phil Collins, Robby Kreiger, Josie Cotton, Rick Derringer, etc. All intermixed with interviews with the aforementioned artists and others (Joey Ramone, et al) talking about the Ventures' influence. I got my copy through the Ventures fan club.
Bruce
Harbor Lights clone, Quilter MicroPro Mach 2 HD
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Bruce Bindeman
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basilh
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OK Bruce, sorry about not responding sooner, kinda busy lately.
You ask "What would be the 7th string tuning? Obviously, Santo used an E for the 8th string.
"
Well the 7th string would be B and the eighth an E, and the sixth string alternating between D and C# depending on the structure of the tune.
As for "Offsets" re tuning, I tune "Straight up".
Bar pressure, Parallax and temperature can alter the pitch more than some of the offsets, so I personally think that the ear and hand correct whatever is PERCEIVED to be out.
Of course If I could play REALLY in tune, most people WOULDN'T know it was me !!
You ask "What would be the 7th string tuning? Obviously, Santo used an E for the 8th string.
"
Well the 7th string would be B and the eighth an E, and the sixth string alternating between D and C# depending on the structure of the tune.
As for "Offsets" re tuning, I tune "Straight up".
Bar pressure, Parallax and temperature can alter the pitch more than some of the offsets, so I personally think that the ear and hand correct whatever is PERCEIVED to be out.
Of course If I could play REALLY in tune, most people WOULDN'T know it was me !!
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Bruce Bindeman
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basilh
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Alan Brookes
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basilh
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- Location: United Kingdom
I've just today noticed that Santo used 3 finger picks, see 1:43 on the video
Click Here
Click Here


