
I was very sorry to read Ricky's post this morning, being away from a computer (and the photo above) for hours and not being able to post immediately.
As recounted elsewhere on this Forum, I scoped this D-10 Professional out long distance before a 2008 Christmas trip back to Oklahoma City. Once in hand, I posted an SOS on the SGF which led me to James.
Oh, yeah, that guy--the maniac who seemed to delight in the photo of his next "project": a pile of disassembled parts, looking like so much tornado aftermath, but purporting to be a complete deconstructed Sho-Bud doubleneck. (Or three, to my non-technical eye.) Complex mechanical processes (even simple ones) are deeply troubling to my arts-degree psyche. The photo of James's abstract alleged Sho-Bud disturbed and panicked my soul like nothing from the imagination of Stephen King or John Carpenter ever could. ("How could anybody ever get all that back together?!?")
As he detailed in the link at the bottom of the post, he made the somewhat neglected D-10 into a time traveler from the Lower Broadway "Sho-room" from a time when I was a senior in high school.
One thing I neglected to discuss in later having him add third and fourth knee levers was requesting to leave the E-lowers in the antiquated RKL position. When I found it relocated to LKR, I decided my minimally-skilled playing would have to change, because I wasn't going to mess with James's masterful work.
It seems the last few years have been particularly rough on Planet Sho-Bud.
I was already missing him and Tree after they moved from Prague to Arkansas and now--there are no words. My best to Tree and family.
---
James's account of the fix-up of the red/natural Professional:
http://bb.steelguitarforum.com/viewtopi ... light=bens