Pro Tools 7
Moderator: Shoshanah Marohn
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John Gould
- Posts: 769
- Joined: 13 Feb 2009 12:15 pm
- Location: Houston, TX Now in Cleveland TX
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- Country: United States
Well Said Tony!!!
Back to the original subject, I got Charles fixed up and he should be recording soon. I'm wanting to hear his guitar "it was mine at one time" Hope he gets it figured out.
Back to the original subject, I got Charles fixed up and he should be recording soon. I'm wanting to hear his guitar "it was mine at one time" Hope he gets it figured out.
A couple of guitars
Fender GTX 100 Fender Mustang III Fender Blues Jr. Boss Katana MKII 50
Justice Pro Lite and Sho Bud Pro II
Fender GTX 100 Fender Mustang III Fender Blues Jr. Boss Katana MKII 50
Justice Pro Lite and Sho Bud Pro II
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Ken Byng
- Posts: 4329
- Joined: 19 Feb 2001 1:01 am
- Location: Southampton, England
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- Country: United States
+1 Me too. Too set with Logic at the time I suppose, but Cubase was nowhere near as user friendly for me as Pro Tools has been.Tony Prior wrote:........ I did find Cubase to be odd... so I didn't bother working with it......
Dave Potter
I bought a couple of good reference books on Pro Tools, and they have been invaluable in kick starting my experience with Pro Tools.
Show Pro D10 - amber (8+6), MSA D10 Legend XL Signature - redburst (9+6), Sho-Bud Pro 111 Custom (8+6), Emmons black Push-Pull D10 (8+5), Zum D10 (8x8), Hudson pedal resonator. Telonics TCA-500, Webb 614-E,
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Mark van Allen
- Posts: 6425
- Joined: 26 Sep 1999 12:01 am
- Location: Watkinsville, Ga. USA
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- Country: United States
I'm pretty much in agreement with Tony on Pro Tools. I have much less experience with other DAW platforms, but most studios around here use PT and almost all the file swapping and remote tracking I have to do goes back into PT at another studio.
For anyone exploring PT I would seriously recommend study with John Keane's "Pro Tools for Musicians" course book. He takes the reader through very well designed imaginary sessions that include many of the things you will have to do in the real world, like build separate headphone mixes, import tracks, edit timing errors, etc., and little that you won't need that seems to fill up many of the other tutorials. Great training.
For anyone exploring PT I would seriously recommend study with John Keane's "Pro Tools for Musicians" course book. He takes the reader through very well designed imaginary sessions that include many of the things you will have to do in the real world, like build separate headphone mixes, import tracks, edit timing errors, etc., and little that you won't need that seems to fill up many of the other tutorials. Great training.
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Fred Amendola
- Posts: 332
- Joined: 4 Aug 1998 11:00 pm
- Location: Lancaster, Pa.
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- Country: United States